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Finger banged euro wrestling on the floor

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Also known as knife edge chop, is the act of a wrestler slice-chopping the chest of the opponent using an upwards backhand swing.

A double variation of the aforementioned chop, the wrestler lunges forward or jumps forward in a pressing fashion while crossing arms forming a "X", hitting both sides of the opponent's click. A downward diagonal attack to the side of the opponent's neck or shoulder. The words kesa and giri in Japanese mean "monk's sash" and "cut" respectively, and it is based Finger banged euro wrestling on the floor a legitimate defensive cut in traditional Japanese swordsmanship.

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The act of chopping both the opponent's shoulders or sides of the neck in a downward swinging motion at the same time. The wrestler draws a hand back and hits the opponent vertically, usually hitting the top of the head.

This move is primarily used by very tall, large wrestlers such as The Great Khali and Andre the Giant. Also known as throat strike or sword stab.

Similar to a conventional wrestling uppercutFinger banged euro wrestling on the floor wrestler strikes the opponent's throat upwards with the tips of all five stiffed fingers of a supine hand.

Professional wrestling attacks

Abdullah the Butcher and Sgt. Slaughter were professional wrestlers known for its use as signature move. A simple maneuver derived from the thumb chokehold having a wrestler drawing back a hand source striking the windpipe with only the thumb, sometimes while holding the opponent by the nape.

Performed by wrestlers like Ernie Ladd and Umaga. A move in which one wrestler runs towards another extending their arm out from the side of the body and parallel to the ground, hitting the opponent in the neck or chest, knocking them over. Popularized by Mick Foley and named Finger banged euro wrestling on the floor his "Cactus Jack" gimmick. An attack used by a wrestler where instead of knocking down a standing opponent, aims to squash them against the turnbuckle.

Any variant where instead of aiming at just one opponent, the attacking wrestler knocks down two opponents at once.

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Also known as a jumping clothesline or a flying clothesline, this move involves the attacking wrestler running towards an opponent, then leaping into the air before connecting with a clothesline. This variant's use is commonly associated with The Undertaker and Roman Reigns. Another version sees an attacking wrestler leap up into the air and connecting with a clothesline onto an opponent leaning against the corner turnbuckle.

As the opponent runs to the ropes on one side of the ring and rebounds against them, the attacker also runs to the same ropes and rebounds ensuring to be behind them and performs the clothesline as the opponent turns to face them. This snapping variation is set up by a Finger banged euro wrestling on the floorthen the wrestler pulls the opponent back and clotheslines them with the free arm.

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In this attack a wrestler uses a three-point stancethen runs and clotheslines the opponent. Also known as a double sledge or polish hammer after its most noted user, Ivan Putski. It sets an attacking wrestler clutching both hands together, swinging them downwards hitting usually the opponent's back, face, or top of the head. The many names of this move click from the attack mimicking the motion seen Finger banged euro wrestling on the floor people swing a sledgehammer or axe.

There is also a top rope variation. Attacks in which an attacking wrestler jumps and falls down onto an opponent on the floor, striking with a specific part of the body. The wrestler either falls forward, or jumps up and drops down, hitting a lying opponent with a kesagiri chop on the way down, usually landing in a kneeling position.

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A move in which a wrestler jumps or falls down on an opponent driving their elbow into Finger banged euro wrestling on the floor on the opponent's body. Dwayne Johnson innovated the high impact elbow drop and called it "The People's Elbow". Another common elbow drop learn more here the pointed elbow drop, that sees a wrestler raise both elbows up and drop directly forward dropping one, or both elbows onto the opponent.

This variation sees the wrestler raise one elbow before falling and simultaneously twisting around as falls to one side, striking the opponent with the elbow anywhere on the body. Sometimes, the wrestler will swing one leg around before the fall, gaining momentum for the corkscrew continue reading, first invented by "Nature Boy" Buddy Landel in Another variation Finger banged euro wrestling on the floor this move sees the executor use the whole arm as a lariat instead of just the elbow, a side headlock from a jumping position variant can also be executed, and twisted around into a sitout lariat.

An inverted variation of this move sees the wrestler applying a front facelock before executing an elbow or a lariat to the back of the opponent's head causing them to land on the mat or into a facebreaker where the wrestler places their knee in front of the opponent whilst when executing the move.

A wrestler performs a series of theatrics before jumping or falling down, driving a fist usually to the opponent's forehead, the more theatrics the wrestler inputs on the move it is often referred to as delayed or falling fist drop. There is a snapping variation called karate fist drop that can be performed in a series, setting the wrestler besides a fallen opponent in a front stance known as Zenkutsu dachi.

Then the wrestler drops to their rear leg's knee delivering the fist at the opponent's stomach, to rise up back again. A move similar to a sliding forearm smash in which a wrestler jumps down on an opponent driving their forearm into anywhere on the opponent's body.

A move setting an attacking wrestler jumping or falling down on an opponent, driving his head usually at the opponent's face or midsection. The most common variation sets the attacking wrestler standing at the fallen opponent's feet, taking them by the ankles to spread their legs. A variation sets the wrestler kneeling besides a fallen opponent, then performing a handstand to drive their knee to the opponent's midsection. A version that involves the wrestler placing one knee against the base of a bent over opponent's neck, then dropping to force the opponent down to the mat, landing Finger banged euro wrestling on the floor the opponent's upper body.

There is also a diving version. An elbow attack sees the wrestler using front or back elbow to connect it in any part of the opponent's body. Also known as reverse elbow, sees the wrestler giving the back with to a standing or running opponent, and then striking with the back of the elbow to the opponent's face, neck or chest. The wrestler strikes a back elbow to a cornered opponent, lying facing inwards or outwards the ring against the corner. This is usually struck from a running wrestler.

The wrestler faces away from the opponent, spins around to face away from the opponent and strikes the opponent's face with a back elbow. This move is a strike that is brought Finger banged euro wrestling on the floor a high position and click vertically toward the floor, dropping the point of the elbow directly on the target.

Often this will set an attacking wrestler bending an opponent over to deliver the elbow at the back of the opponent.

Attacking maneuvers are offensive moves in professional wrestlingused to set up an opponent for a submission hold or for a throw.

The wrestler approaches to a cornered opponent, climbs the second or top rope beside the opponent with a leg on each side. The wrestler then jumps down off the ropes, delivering a bionic elbow to the opponent's head, neck if the opponent's neck is bent-down Finger banged euro wrestling on the floor sideways or the shoulder. The wrestler makes a punching motion, but tucks their hand towards the chest so the elbow and forearm make contact.

A high impact version is used by Wade Barrett as his finishing move, The Bull hammer. This variation is set up by a wrestler performing an Irish whip but keeping the opponent's wrist heldthen the wrestler pulls the opponent back and hits using the other arm's learn more here. Once the maneuver is finished, the attacking wrestler can execute either a running kickkneedrop or many other strikes that first sees them running towards or rebounding off the opposing ropes and charging at the fallen opponent.

A variation that sees the attacking wrestler placing their shin or instep over the opponent's face, and either pushing the opponent's head or their own leg down, raking the opponent's eyes across the laces of their boot. With the opponent lying back on the mat, the wrestler stands at the Finger banged euro wrestling on the floor top of the head and leaps to rake both points of the boots over the opponent's face, while falling back on their feet.

In the same sense, and as performed by Eddie Guererothis move sees a wrestler putting one foot over the face of an opponent lying on the mat.

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In the same sense of an elbow or a kneethe attacking wrestler strikes the opponent using one or both forearms. A forearm thrown in an uppercutting fashion, often the wrestler does a quick grapple first to bring the spare arm up inside, hitting the opponent under the chin. The wrestler clenches both fists and rises both arms, striking the sides of a cornered opponent's head in a stabbing motion one forearm at the time.

This will often send the opponent source the mat front-first. A variation that sees the attacking wrestler take hold of an opponent and lean them backwards to expose the chest, allowing the attacking wrestler Finger banged euro wrestling on the floor club the opponent and send them to the mat back-first.

An attacking wrestler charges at the opponent and then hits the opponent in the chest or face upwards with a forearm to force them back and down to the mat. While running towards an opponent usually after bouncing off the ropesan attacking wrestler would leap up into the air, before connecting the forearm smash. While Finger banged euro wrestling on the floor towards an opponent usually after bouncing off the ropeslearn more here attacking wrestler extends the forearm forward and does a slide across the mat before connecting.

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A lesser used version that sees the wrestler standing over a crawling opponent on all fours, delivering the forearm inwards and sideways onto the opponent's temple repeatedly in a swinging motion. This move is named after the way some police officers used to submit a suspect by torture or in cases involving forced confession. Kurt Angle used to perform this maneuver as a Finger banged euro wrestling on the floor to set an opponent up for a submission hold.

Many wrestlers deliver a headbutt to an opponent's head by holding the opponent's head and delivering the headbutt to their own intervening hand instead, relying on it to cushion the blow.

The wrestler stands facing an upright opponent, lowers the head and then jumps or charges forwards, driving the top of the head into the abdomen of the opponent. There is also a double-team version of the move. The attacking wrestler performs an Irish whip to the opponent and runs to bounce against the ropes front or side first at the other side of the ring, then jumps and turns https://dima.yoga/monster-dildo/index-09-02-2020.php to deliver a headbutt against the opponent's head.

A popular move in Lucha libreoften associated to Rayo de Jalisco Jr. There's another variation where after bouncing, the attacker jumps arching the back, Finger banged euro wrestling on the floor the top of the head into the opponent's chest. An attack where a wrestler will strike an opponent using the knee. The Finger banged euro wrestling on the floor of using knees as offensive weapon is popular throughout British wrestling.

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An attack where a charging wrestler jumps striking both knees simultaneously into the head, chest or back of the opponent. Sometimes abbreviated to GTSthis move sees a wrestler place an opponent in a fireman's carry to drop the Finger banged euro wrestling on the floor in front of them.

While the opponent is falling, the wrestler quickly lifts the left knee up, towards the opponent's face. Kentathe creator of the original maneuver, also uses an inverted variation in which he lifts his opponent Finger banged euro wrestling on the floor an Argentine backbreaker rackthrowing the opponent forward, and striking his knee in the back of the opponent's head.

An attack in which a wrestler will charge towards the opponent, then jumps up and raises a knee to hit the opponent usually into the side of the head. This variation, link akin to a running single leg dropkicksees the attacking wrestler running and leaping towards the opponent while throwing one knee forwards to strike the opponent's face.

An attack in which a wrestler brings the knee up to hit the opponent under the chin as if performing an uppercut.

Pornhub bikini Watch Free text sexting Video Boolo Porn. The wrestler stands facing an upright opponent, lowers the head and then jumps or charges forwards, driving the top of the head into the abdomen of the opponent. There is also a double-team version of the move. The attacking wrestler performs an Irish whip to the opponent and runs to bounce against the ropes front or side first at the other side of the ring, then jumps and turns mid-air to deliver a headbutt against the opponent's head. A popular move in Lucha libre , often associated to Rayo de Jalisco Jr. There's another variation where after bouncing, the attacker jumps arching the back, plunging the top of the head into the opponent's chest. An attack where a wrestler will strike an opponent using the knee. The idea of using knees as offensive weapon is popular throughout British wrestling. An attack where a charging wrestler jumps striking both knees simultaneously into the head, chest or back of the opponent. Sometimes abbreviated to GTS , this move sees a wrestler place an opponent in a fireman's carry to drop the opponent in front of them. While the opponent is falling, the wrestler quickly lifts the left knee up, towards the opponent's face. Kenta , the creator of the original maneuver, also uses an inverted variation in which he lifts his opponent into an Argentine backbreaker rack , throwing the opponent forward, and striking his knee in the back of the opponent's head. An attack in which a wrestler will charge towards the opponent, then jumps up and raises a knee to hit the opponent usually into the side of the head. This variation, more akin to a running single leg dropkick , sees the attacking wrestler running and leaping towards the opponent while throwing one knee forwards to strike the opponent's face. An attack in which a wrestler brings the knee up to hit the opponent under the chin as if performing an uppercut. This can either be performed in mid clinch or with the attacking wrestler charging at a kneeling or bent over opponent, lifting the knee upwards to strike underneath the jaw or the side of the head. A strike created by The Great Muta delivered to an opponent down on one knee. After stepping off the opponent's raised knee with one foot, the wrestler swings the other leg and strikes the opponent's head with either the side of the knee or shin. A slight variation known as shining apprentice sees the wrestler use a running enzuigiri to the kneeling opponent's head without the use of the opponent's knee for leverage. Many other "shining" attacks exist, including big boots and dropkicks. The shining wizard can be applied to a standing opponent as well; this would be likely applied by stepping off the opponent's chest and then delivering a knee smash to the opponent's face. AJ Lee uses this move. A kick in wrestling is an attack using any part of the foot or lower leg to strike the opponent's body or head. Involves the attacker originally facing his opponent. Also known as reverse side kick or heel kick. This kick starts with a standing wrestler jumping to either side, connecting the side of their lead leg's calf- heel cord area to the opponent's face or chest. A variation has the attacking wrestler standing on the top turnbuckle or springboarding from the top rope to get the required height to execute it. A short-arm variation is also possible. This attack is performed after an opponent catches the leg of a wrestler who has attempted a kick of some sort performing a maneuver known in wrestling as "Leg-feed" , then while the opponent throws the leg out away from himself, the wrestler continues spinning all the way out with his leg still extended to connect the kick. Properly named Ajisegiri and also known as rolling koppu kick or rolling liger kick, it sets the wrestler rolling towards a standing opponent, extending a leg which connects with the back, chest, or head of the opponent. Also known as jumping axe kick, this is a standing version of a leg drop performed on a bent over opponent usually in the middle of the ring. Popularized by Booker T. Often referred to as side kick or crescent kick, it sees the wrestler delivering a kick with the lead foot to the opponent's face, chin, neck or breastbone , usually preceded by a sidestep. The Young Bucks also use the move. Carmella uses this as her finisher calling it princess kick and so do the Usos. A thrust where the wrestler turns the torso away lifting one leg horizontally and extending it torwards the opponent, striking in the torso with the sole of their foot. A spin kick variation sees the wrestler spin around and then performing the kick with the outer leg, which is known as rolling sole butt in Japan. There is also jumping variation where the wrestler jumps straight up, spins in the air, and then delivers the sole butt with the outer leg targeting the head of the opponent. Otherwise known as Yakuza kick. This attack is usually done with the opponent charging towards the wrestler, using the opponent's momentum to deliver the wrestler's sole to the upper-body or head. There is also an arched variation of this move. Big Cass uses this move. Sami Zayn uses this move calling it the Helluva kick. Billie Kay also uses this move calling it the Shades of Kay. An attacking wrestler jumps up and kicks forward with one foot after the other in a pedalling motion, with the foot that gets lifted second being extended fully to catch a charging opponent directly in the face. Another variation sees the attacking wrestler charge at a standing opponent before delivering the attack. Similar in effect to the big boot. This move is used by Sheamus as a finisher, the Brogue Kick. An attack where the wrestler jumps up and kicks the opponent with the soles of both feet, this usually sees the wrestler twist as they jump so that when the feet connect with the opponent one foot is raised higher that the other depending on which way they twist and the wrestlers fall back to the mat on their side or front. The wrestler drops to one knee and extends the other leg to knock away the opponent's legs, then quickly pivots their body around. While facing away from a charging opponent, the wrestler bends down and pushes out one foot, striking the opponent with the bottom of it. If acrobatically inclined, the wrestler can then roll forward, back into a standing position. Sometimes done in a corner, the wrestler takes hold on the top rope and kicks backwards with both legs to the opponent, hitting with both soles. This kick is often confused with the Superkick but it can be differentiated for it is performed from an upright stance with the rear foot, instead of the lead foot. Rusev calls it Machka Kick. This kick, used by almost all wrestlers, is appealed just for show or as a setup for a hold or throw. The most common way to perform this attack sees the wrestler striking the opponent upwards in the midsection or stomach to bend the opponent over. Another variation sees the wrestler holding back their own foot with one hand, taking it up their side or lower back and releasing it, striking a bent over opponent in the back of the head. This maneuver can be differentiated from any other kick noting that it is always performed striking with the point of the foot-instep-shin area. The attacker then hits the opponent in the head with one or both legs, with the wrestler usually landing on hands and feet facing downward. There are many variations of this maneuver since it can be performed from a backroll, a corckscrew, a handspring or a handstand. The wrestler performs a cartwheel towards the opponent, hitting them in the head with the rear leg's shin as it comes up in the air. Popularized by Ernest "The Cat" Miller. The wrestler first performs a crane stance , by standing on one leg, with the other knee raised and arms extended in a crane position. The wrestler then strikes the opponent's head or face with either the standing or raised leg. The term Enzui is the Japanese word for medulla oblongata and giri means "to chop". Thus, an enzuigiri often misspelled 'ensuigiri' or 'enzuiguri' is any attack that strikes the back of the head. It is usually associated with lighter weight class wrestlers, as well as wrestlers who have a martial arts background or gimmick. It is often used as a counter-move after a kick is blocked and the leg caught, or the initial kick is a feint to set up the real attack. A common variation of the enzuigiri sees the wrestler stepping up the opponent's midsection, and hitting the back of the opponent's head with the other foot. Sonya Deville uses this move. In this version, the wrestler either starts by lying down or dropping down on the mat while the opponent stands near to their head. The wrestler then throws a leg and kicks up over their waist and chest, hitting the opponent with the point of the foot, usually in the head. It can be used as a counter to an attack from behind. For example, an opponent attempts a full nelson , the wrestler breaks the opponent's lock by raising both arms, falling to the canvas back-first and kicking the opponent in the head with one foot. A kickboxing-style kick with the shin generally protected by a shin guard striking an opponent's face, chest or thighs. This move is used in shoot-style environments and by many Japanese wrestlers. Kicks while the crowd would respond with a chant of "Yes! Sometimes also referred to as soccer kick. The wrestler strikes an opponent sitting on the mat with the foot extended downwards vertically from the base of the spine to the back's midsection. Used by Katsuyori Shibata as the P. Based on the field goal kick but named for the punt kick used in American football , sees the wrestler taking a run up to a kneeling opponent and strike them in the head with the point of the foot. It is similar to the soccer kick in MMA. WWE wrestler Randy Orton performed this move as his finisher maneuver to cause storyline concussions. Properly speaking, a roundhouse kick in wrestling is a variation of a shoot kick with a slight difference. A move in which a wrestler jumps through the second and top rope while holding on to the ropes, using the momentum to swing back around into the ring. Originally performed as a fake dive to make opponents and fans think that the wrestler was about to dive through the ropes to opponents outside of the ring, later modified to become a kick to the head of an opponent who is hung on the second rope. This move requires high agility and is mainly used by smaller wrestlers in Japan and Mexico. Popularized internationally by Rey Mysterio , who called the move after the area code for Mysterio's hometown. Typically, a lariat is used as a finishing move while the clothesline is simply a basic strike attack. The main difference aside from the mechanics of the movement is the stiffness , a lariat is essentially a very stiff, swinging clothesline. Hulk Hogan is often referred as its innovator. The attacking wrestler first uses the ropes to build up speed. The wrestler runs towards his opponent, wraps an arm around the opponent's upper chest and neck, and swings both legs forward, using this momentum to pull the opponent down with him to the mat back-first. Popularized by "Macho Man" Randy Savage. Also called enzui lariat, it sets the attacking wrestler charging against the opponent's back, driving them to the mat face first. This can also be used in combination with a hammerlock as in the case of Ariya Daivari. This maneuver is performed when the wrestler doesn't run but simply strikes the opponent while standing next to them or waiting for a charging opponent. Popularized by Stan Hansen. Kenta Kobashi uses this variation as one of his many finishing moves called Burning lariat. This move sees the wrestler delivering an open-handed strike with arm movement akin to a cross , usually to the opponent's chin, face or chest. Several of these attacks can also be performed with the opponent in a side headlock. Sometimes referred to as a frying pan or an open-hand chop. Despite of the name, it refers to a slap properly and not a chop. The wrestler strikes downwards the chest, nape or back of an opponent, using the open palm of the hand. Also called blazing chop, this variation sees a standing wrestler striking the chest of a charging opponent with both palms sideways, shoving them down to the mat back first. The wrestler delivers an overpowering open-hand slap crossing the opponent's face, ears, or nape. This simple strike is more often performed by female wrestlers or villains. A variation associated to Dusty Rhodes and his family involves a charging wrestler attacking with a slap as if performing a clothesline. Also known as a bell clap, the wrestler slaps both ears of an opponent simultaneously with the palms of both hands, disorienting their balance. Properly speaking, an uppercut is a punch used in boxing that usually aims at the opponent's chin. It is, along with the hook and the overhand, one of the main punches that count in statistics as a "Power punch", while in wrestling, any close-fisted punch is considered an illegal attack. Therefore, it is an upward variant of a palm strike in execution. Usually seen performed by tall, heavy wrestlers like Kane and Goldust. Nevertheless, a close-fisted uppercut has been seen in wrestling from time to time usually meant as a "cheap shot". Extensively used by "Rowdy" Roddy Piper in that same matter. An illegal attack using a simple close-fisted punch normally to the stomach, lower back or head of the opponent. Instead, the referee simply admonishes the wrestler to stop, usually to no effect. Punches are often used by both villains and heroes alike. However, when villains perform the strike while either the opponent is not expecting it, or when the referee is in some way distracted, it seems more devastating. Several boxing punches can be found in wrestling, such as jabs , straights , hooks and overhands. Often aimed at a kneeling opponent or one sat on the top turnbuckle. In this variation of a simple close-fisted punch, the wrestler strikes the opponent with the back of the fist in the head or chest, often repeatedly. The wrestler holds an arm out horizontally and executes a back fist whilst turning the body swiftly, hitting the opponent on rotation. Also named spinning punch or tornado punch. As the opponent falls to the mat face-first, the attacker hits the opponent with a liver shot. Popularized by Ludvig Borga. The move is alleged to rely on "Oriental pressure points" to strike a nerve causing the opponent's heart to momentarily stop, rendering them unconscious. This attack involves a wrestler standing on the middle or top ropes and delivering repeated crosses to the face while the opponent is backed up against the turnbuckles. A variation sees the wrestler striking a fallen opponent either mounting in front of them or kneeling besides and having the opponent in a side headlock. The crowd tends to count the punches, which typically end at ten, provided they're not interrupted by the opponent pushing the wrestler off or by the referee admonishing the attacking wrestler. This attack sees a wrestler leap into the air, snapping the rear leg back before striking with a swinging overhand to the opponent's head. Popularized by Roman Reigns. A theatrical variation in which the wrestler rotates the attacking arm in a "winding-up" motion before striking the opponent, making the punch appear more effective in the same way of a bolo punch in boxing. In the same sense of a press or a splash the wrestler jumps over an opponent, but in this case the attacker falls lower-back first or into a sitting position. Either on purpose as for comedic effect or accidentally. Having a fallen opponent lying next to the apron, the attacking wrestler grabs either the opponent's head, torso or leg and places it on the bottom rope. This move sees the opponent's chest resting on the second rope, facing out of the ring. Having an opponent seated in the corner of the ring, the attacking wrestler jumps in the corner, straddling on the opponent's midsection, bouncing up and down. Similar to a bronco buster, the attacking wrestler jumps onto a standing opponent in the corner, straddling and sitting on the opponent's chest, while resting feet on the second rope. The attacking wrestler then follows with mounted punches. Also named rear view or butt thump, is usually performed with a running start, then the attacking wrestler jumps into the air, spinning around, and thrusting the pelvis backwards, thus hitting the opponent's face or chest with hip or buttocks. Another variation called reverse body avalanche sees large, heavy wrestlers giving the back to a cornered opponent as they take hold on the top rope, thrusting the pelvis repeatedly against the opponent's midsection as if performing turnbuckle thrusts. Also known as vertical splash or butt drop, is the most common form to perform this maneuver. A wrestler jumps down to a sitting position across the chest or stomach of a fallen opponent. This particular move is usually executed one of two ways. One is to see the wrestler stand over the opponent and drop to either a seated position like Rikishi or a kneeling position like Bastion Booger 's Trip to the Batcave. The other is performed with the opponent lying near one of the turnbuckles, with the wrestler climbing to the middle rope and bouncing on it before performing the senton Yokozuna 's Banzai Drop. A variation of the seated senton was performed by Earthquake , whose Earthquake Splash would see him run off the ropes to gain momentum for the senton and then jump onto the opponent while running. It is also an obvious and often-used counter to the sunset flip. A somersault senton performed to an opponent sitting in a corner to be sandwiched between the turnbuckle and the wrestler's lower back. This move sees a wrestler sits while rubbing the buttocks in the face of an opponent lying in the corner of the ring, [10] humiliating the opponent. Popularized by Rikishi. A maneuver that sees a standing wrestler strike usually ramming with a shoulder, by keeping an arm down by the side into a charging opponent's chest or abdomen. However, often this will see a larger wrestler displaying superior size and strength by challenging an opponent to attack, standing still slightly to one side and having the opponent charging towards trying to execute a strike, only to get knocked down often several times and see any attempt of the hapless opponent having no effect. A slight variation called body block, sees an opponent run at the large wrestler who would simply engulf the charging opponent by swinging their arms round and forcing the opponent to impact the wrestler's entire body. This variation, based on the illegal American football block, sees the wrestler performing this attack coming from behind an opponent and droping down to connect with their shoulder into the back of one of the opponent's knees. This is often used to weaken the leg for submission holds, as noted by Ric Flair 's extensive use of the move as a set-up for his Figure Four Leglock. The attacking wrestler runs the ropes to gain momentum before leaping at the opponent with a high shoulder block. This variation is usually preceded by an Irish Whip to an adjacent side of the ring, or to cut-off an opponent already running the ropes, further increasing the moves impact. It was popularized by Monty Brown and named for his Alpha Male gimmick. The move is also used by Mojo Rawley. A variation where the wrestler grasps one of the opponent's wrists firmly with both hands and pulls the opponent's arm towards them. From this point on, the attack can be executed one of two ways. In one the wrestler rams their shoulder repeatedly against the opponent's own to incapacitate or hurt the arm, setting it up for a submission or as a mean of punishment. Popularized by Diamond Dallas Page and Batista. In the other, the wrestler strikes lunging their shoulder against the opponent's chest or chin, then releasing the hold to leave the opponent fall to the mat. This maneuver was performed extensively by Beth Phoenix. This sets an attacking wrestler charging towards a standing opponent, bringing the body parallel to the ground and driving one shoulder into the opponent's midsection, pulling on their legs, as in a double leg takedown , and forcing them back-first into the mat. This simple, but powerful-looking move has been used by many famous wrestlers as a finisher, notably including Goldberg , Edge , Bobby Lashley , Roman Reigns , Batista , and Charlotte Flair. In this variation, the wrestler does not pull on the opponent's legs in a double leg takedown, relying only on the strike's momentum to force the opponent down. Rhyno uses this variation as his finisher, The Gore. This variation of spear is laying the opponent down with a spear and punch him with Thesz press punches. This move is performed to an opponent set up resting back first against the turnbuckle. A variation sees smaller wrestlers using the top of their heads instead of the shoulder or running from the center of the ring. A Splash is an attack very similar to a body press in function but not in execution, the difference lies in that it is executed from a falling position, most of the times the attack is performed horizontally, and most variations can seamlessly transition into a pin. This maneuver involves a wrestler jumping forward and landing stomach-first across an opponent lying on the ground below. On some occasions a wrestler has a short running start before executing the move. The attacking wrestler performs a cartwheel before landing stomach-first across an opponent lying on the mat. Usually perfomered by small, nimble wrestlers men or women. Also known as crossbody block, it sets a wrestler jumping onto his opponent and landing horizontally across the opponent's torso, forcing the opponent to the mat and usually resulting in a pinfall attempt. There is also an aerial variation, known as a diving crossbody , where wrestler leaps from an elevated position towards the opponent. This attack is known as a Plancha in Lucha libre. This move is better described as a counter for a tilt-a-whirl backbreaker , or for a tilt-a-whirl mat slam. Also known as foot stomp, this attack sees a wrestler stamping a foot on any part of a fallen opponent. One variation performed by large, heavy wrestlers implies simply to step on the opponent's stomach as they walk, often referred to as a big walk. This variation, when performed by a villain , aims to the head of the opponent but in a crudest, vicious way. Seth Rollins ' version of the move is a running stomp to the back of the head of a bent-over opponent, forcing the opponent face-first into the ground. It was eventually banned from use by WWE in , before Rollins would return to using this move as a finisher in early Impact Wrestling wrestler Laurel Van Ness also uses this move as a finishing move. When a wrestler jumps and stamps both feet on any part of an opponent. Also known as double stomp. This can be performed from an elevated position as a diving double foot stomp. Large, heavy wrestlers often perform this move by simply standing over a defenseless opponent next to the apron both feet and grabbing a hold on the top rope, squashing the fallen body. A wrestler performs a series of stomps all over the body of a fallen opponent in the order of left arm, left chest, left stomach, left upper leg, left lower leg, right lower leg, right upper leg, right stomach, right chest, right arm, and finally the jaw. Some moves are meant neither to pin an opponent, nor weaken them or force them to submit, but are intended to set up the opponent for another attack. 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This can either be performed in mid clinch or with the attacking wrestler charging at a kneeling or bent over opponent, lifting the knee upwards to strike underneath the jaw or the side of the head. A strike created by The Great Muta delivered to an opponent down on one knee.

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After stepping off the opponent's raised knee with one foot, the wrestler swings the other leg and strikes the opponent's head with either the side of the knee or shin. A slight variation known as shining apprentice sees the wrestler use a running enzuigiri to the kneeling opponent's head without the use of the opponent's knee for leverage.

Many other "shining" attacks exist, including big boots and dropkicks. The shining wizard can be applied to a standing opponent as well; this Finger banged euro wrestling on the floor be likely applied by stepping off the opponent's chest and then delivering a knee more info to the opponent's face. AJ Lee uses this move.

A kick in wrestling is an attack using any part of the foot or lower leg to strike the opponent's body or head.

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Involves the attacker originally facing his opponent. Also known as reverse side kick or heel kick. This kick starts with a standing wrestler jumping Finger banged euro wrestling on the floor either side, connecting the side of their lead leg's calf- heel cord area to the opponent's face or chest.

A variation has the attacking wrestler standing on the top turnbuckle or springboarding from the top rope to get the required height to execute it. A short-arm variation is also possible. This attack is performed after an opponent catches the leg of a wrestler who has attempted a kick of some sort performing a maneuver known in wrestling as "Leg-feed"then while the opponent throws the leg out away from himself, the wrestler continues spinning all the way out with his leg still Finger banged euro wrestling on the floor to connect the kick.

Properly named Ajisegiri and also known as rolling koppu kick or rolling liger kick, it sets the wrestler rolling towards a standing opponent, extending a leg which connects with the back, chest, or head of the opponent.

Also known as this web page axe kick, this is a standing version of a leg drop performed on a bent over opponent usually in the middle of the ring. Popularized by Booker T. Finger banged euro wrestling on the floor referred to as side kick or crescent kick, it sees the wrestler delivering a kick with the lead foot to the opponent's face, chin, neck or breastboneusually preceded by a sidestep.

The Young Bucks also use the move. Carmella uses this as her finisher calling it princess kick and so do the Usos. A thrust where the wrestler turns the torso away lifting one leg horizontally and extending it torwards the opponent, striking in the torso with the sole of their foot. A spin kick variation sees the wrestler spin around and then performing the kick with the outer leg, which is known as rolling sole butt in Japan.

Naked bitmoji Watch Gangbang sexy video Video Cuckold cumshot. It sets an attacking wrestler clutching both hands together, swinging them downwards hitting usually the opponent's back, face, or top of the head. The many names of this move come from the attack mimicking the motion seen when people swing a sledgehammer or axe. There is also a top rope variation. Attacks in which an attacking wrestler jumps and falls down onto an opponent on the floor, striking with a specific part of the body. The wrestler either falls forward, or jumps up and drops down, hitting a lying opponent with a kesagiri chop on the way down, usually landing in a kneeling position. A move in which a wrestler jumps or falls down on an opponent driving their elbow into anywhere on the opponent's body. Dwayne Johnson innovated the high impact elbow drop and called it "The People's Elbow". Another common elbow drop is the pointed elbow drop, that sees a wrestler raise both elbows up and drop directly forward dropping one, or both elbows onto the opponent. This variation sees the wrestler raise one elbow before falling and simultaneously twisting around as falls to one side, striking the opponent with the elbow anywhere on the body. Sometimes, the wrestler will swing one leg around before the fall, gaining momentum for the corkscrew twist, first invented by "Nature Boy" Buddy Landel in Another variation of this move sees the executor use the whole arm as a lariat instead of just the elbow, a side headlock from a jumping position variant can also be executed, and twisted around into a sitout lariat. An inverted variation of this move sees the wrestler applying a front facelock before executing an elbow or a lariat to the back of the opponent's head causing them to land on the mat or into a facebreaker where the wrestler places their knee in front of the opponent whilst when executing the move. A wrestler performs a series of theatrics before jumping or falling down, driving a fist usually to the opponent's forehead, the more theatrics the wrestler inputs on the move it is often referred to as delayed or falling fist drop. There is a snapping variation called karate fist drop that can be performed in a series, setting the wrestler besides a fallen opponent in a front stance known as Zenkutsu dachi. Then the wrestler drops to their rear leg's knee delivering the fist at the opponent's stomach, to rise up back again. A move similar to a sliding forearm smash in which a wrestler jumps down on an opponent driving their forearm into anywhere on the opponent's body. A move setting an attacking wrestler jumping or falling down on an opponent, driving his head usually at the opponent's face or midsection. The most common variation sets the attacking wrestler standing at the fallen opponent's feet, taking them by the ankles to spread their legs. A variation sets the wrestler kneeling besides a fallen opponent, then performing a handstand to drive their knee to the opponent's midsection. A version that involves the wrestler placing one knee against the base of a bent over opponent's neck, then dropping to force the opponent down to the mat, landing on the opponent's upper body. There is also a diving version. An elbow attack sees the wrestler using front or back elbow to connect it in any part of the opponent's body. Also known as reverse elbow, sees the wrestler giving the back with to a standing or running opponent, and then striking with the back of the elbow to the opponent's face, neck or chest. The wrestler strikes a back elbow to a cornered opponent, lying facing inwards or outwards the ring against the corner. This is usually struck from a running wrestler. The wrestler faces away from the opponent, spins around to face away from the opponent and strikes the opponent's face with a back elbow. This move is a strike that is brought from a high position and travels vertically toward the floor, dropping the point of the elbow directly on the target. Often this will set an attacking wrestler bending an opponent over to deliver the elbow at the back of the opponent. The wrestler approaches to a cornered opponent, climbs the second or top rope beside the opponent with a leg on each side. The wrestler then jumps down off the ropes, delivering a bionic elbow to the opponent's head, neck if the opponent's neck is bent-down or sideways or the shoulder. The wrestler makes a punching motion, but tucks their hand towards the chest so the elbow and forearm make contact. A high impact version is used by Wade Barrett as his finishing move, The Bull hammer. This variation is set up by a wrestler performing an Irish whip but keeping the opponent's wrist held , then the wrestler pulls the opponent back and hits using the other arm's elbow. Once the maneuver is finished, the attacking wrestler can execute either a running kick , knee , drop or many other strikes that first sees them running towards or rebounding off the opposing ropes and charging at the fallen opponent. A variation that sees the attacking wrestler placing their shin or instep over the opponent's face, and either pushing the opponent's head or their own leg down, raking the opponent's eyes across the laces of their boot. With the opponent lying back on the mat, the wrestler stands at the opponent's top of the head and leaps to rake both points of the boots over the opponent's face, while falling back on their feet. In the same sense, and as performed by Eddie Guerero , this move sees a wrestler putting one foot over the face of an opponent lying on the mat. In the same sense of an elbow or a knee , the attacking wrestler strikes the opponent using one or both forearms. A forearm thrown in an uppercutting fashion, often the wrestler does a quick grapple first to bring the spare arm up inside, hitting the opponent under the chin. The wrestler clenches both fists and rises both arms, striking the sides of a cornered opponent's head in a stabbing motion one forearm at the time. This will often send the opponent to the mat front-first. A variation that sees the attacking wrestler take hold of an opponent and lean them backwards to expose the chest, allowing the attacking wrestler to club the opponent and send them to the mat back-first. An attacking wrestler charges at the opponent and then hits the opponent in the chest or face upwards with a forearm to force them back and down to the mat. While running towards an opponent usually after bouncing off the ropes , an attacking wrestler would leap up into the air, before connecting the forearm smash. While running towards an opponent usually after bouncing off the ropes , the attacking wrestler extends the forearm forward and does a slide across the mat before connecting. A lesser used version that sees the wrestler standing over a crawling opponent on all fours, delivering the forearm inwards and sideways onto the opponent's temple repeatedly in a swinging motion. This move is named after the way some police officers used to submit a suspect by torture or in cases involving forced confession. Kurt Angle used to perform this maneuver as a mean to set an opponent up for a submission hold. Many wrestlers deliver a headbutt to an opponent's head by holding the opponent's head and delivering the headbutt to their own intervening hand instead, relying on it to cushion the blow. The wrestler stands facing an upright opponent, lowers the head and then jumps or charges forwards, driving the top of the head into the abdomen of the opponent. There is also a double-team version of the move. The attacking wrestler performs an Irish whip to the opponent and runs to bounce against the ropes front or side first at the other side of the ring, then jumps and turns mid-air to deliver a headbutt against the opponent's head. A popular move in Lucha libre , often associated to Rayo de Jalisco Jr. There's another variation where after bouncing, the attacker jumps arching the back, plunging the top of the head into the opponent's chest. An attack where a wrestler will strike an opponent using the knee. The idea of using knees as offensive weapon is popular throughout British wrestling. An attack where a charging wrestler jumps striking both knees simultaneously into the head, chest or back of the opponent. Sometimes abbreviated to GTS , this move sees a wrestler place an opponent in a fireman's carry to drop the opponent in front of them. While the opponent is falling, the wrestler quickly lifts the left knee up, towards the opponent's face. Kenta , the creator of the original maneuver, also uses an inverted variation in which he lifts his opponent into an Argentine backbreaker rack , throwing the opponent forward, and striking his knee in the back of the opponent's head. An attack in which a wrestler will charge towards the opponent, then jumps up and raises a knee to hit the opponent usually into the side of the head. This variation, more akin to a running single leg dropkick , sees the attacking wrestler running and leaping towards the opponent while throwing one knee forwards to strike the opponent's face. An attack in which a wrestler brings the knee up to hit the opponent under the chin as if performing an uppercut. This can either be performed in mid clinch or with the attacking wrestler charging at a kneeling or bent over opponent, lifting the knee upwards to strike underneath the jaw or the side of the head. A strike created by The Great Muta delivered to an opponent down on one knee. After stepping off the opponent's raised knee with one foot, the wrestler swings the other leg and strikes the opponent's head with either the side of the knee or shin. A slight variation known as shining apprentice sees the wrestler use a running enzuigiri to the kneeling opponent's head without the use of the opponent's knee for leverage. Many other "shining" attacks exist, including big boots and dropkicks. The shining wizard can be applied to a standing opponent as well; this would be likely applied by stepping off the opponent's chest and then delivering a knee smash to the opponent's face. AJ Lee uses this move. A kick in wrestling is an attack using any part of the foot or lower leg to strike the opponent's body or head. Involves the attacker originally facing his opponent. Also known as reverse side kick or heel kick. This kick starts with a standing wrestler jumping to either side, connecting the side of their lead leg's calf- heel cord area to the opponent's face or chest. A variation has the attacking wrestler standing on the top turnbuckle or springboarding from the top rope to get the required height to execute it. A short-arm variation is also possible. This attack is performed after an opponent catches the leg of a wrestler who has attempted a kick of some sort performing a maneuver known in wrestling as "Leg-feed" , then while the opponent throws the leg out away from himself, the wrestler continues spinning all the way out with his leg still extended to connect the kick. Properly named Ajisegiri and also known as rolling koppu kick or rolling liger kick, it sets the wrestler rolling towards a standing opponent, extending a leg which connects with the back, chest, or head of the opponent. Also known as jumping axe kick, this is a standing version of a leg drop performed on a bent over opponent usually in the middle of the ring. Popularized by Booker T. Often referred to as side kick or crescent kick, it sees the wrestler delivering a kick with the lead foot to the opponent's face, chin, neck or breastbone , usually preceded by a sidestep. The Young Bucks also use the move. Carmella uses this as her finisher calling it princess kick and so do the Usos. A thrust where the wrestler turns the torso away lifting one leg horizontally and extending it torwards the opponent, striking in the torso with the sole of their foot. A spin kick variation sees the wrestler spin around and then performing the kick with the outer leg, which is known as rolling sole butt in Japan. There is also jumping variation where the wrestler jumps straight up, spins in the air, and then delivers the sole butt with the outer leg targeting the head of the opponent. Otherwise known as Yakuza kick. This attack is usually done with the opponent charging towards the wrestler, using the opponent's momentum to deliver the wrestler's sole to the upper-body or head. There is also an arched variation of this move. Big Cass uses this move. Sami Zayn uses this move calling it the Helluva kick. Billie Kay also uses this move calling it the Shades of Kay. An attacking wrestler jumps up and kicks forward with one foot after the other in a pedalling motion, with the foot that gets lifted second being extended fully to catch a charging opponent directly in the face. Another variation sees the attacking wrestler charge at a standing opponent before delivering the attack. Similar in effect to the big boot. This move is used by Sheamus as a finisher, the Brogue Kick. An attack where the wrestler jumps up and kicks the opponent with the soles of both feet, this usually sees the wrestler twist as they jump so that when the feet connect with the opponent one foot is raised higher that the other depending on which way they twist and the wrestlers fall back to the mat on their side or front. The wrestler drops to one knee and extends the other leg to knock away the opponent's legs, then quickly pivots their body around. While facing away from a charging opponent, the wrestler bends down and pushes out one foot, striking the opponent with the bottom of it. If acrobatically inclined, the wrestler can then roll forward, back into a standing position. Sometimes done in a corner, the wrestler takes hold on the top rope and kicks backwards with both legs to the opponent, hitting with both soles. This kick is often confused with the Superkick but it can be differentiated for it is performed from an upright stance with the rear foot, instead of the lead foot. Rusev calls it Machka Kick. This kick, used by almost all wrestlers, is appealed just for show or as a setup for a hold or throw. The most common way to perform this attack sees the wrestler striking the opponent upwards in the midsection or stomach to bend the opponent over. Another variation sees the wrestler holding back their own foot with one hand, taking it up their side or lower back and releasing it, striking a bent over opponent in the back of the head. This maneuver can be differentiated from any other kick noting that it is always performed striking with the point of the foot-instep-shin area. The attacker then hits the opponent in the head with one or both legs, with the wrestler usually landing on hands and feet facing downward. There are many variations of this maneuver since it can be performed from a backroll, a corckscrew, a handspring or a handstand. The wrestler performs a cartwheel towards the opponent, hitting them in the head with the rear leg's shin as it comes up in the air. Popularized by Ernest "The Cat" Miller. The wrestler first performs a crane stance , by standing on one leg, with the other knee raised and arms extended in a crane position. The wrestler then strikes the opponent's head or face with either the standing or raised leg. The term Enzui is the Japanese word for medulla oblongata and giri means "to chop". Thus, an enzuigiri often misspelled 'ensuigiri' or 'enzuiguri' is any attack that strikes the back of the head. It is usually associated with lighter weight class wrestlers, as well as wrestlers who have a martial arts background or gimmick. It is often used as a counter-move after a kick is blocked and the leg caught, or the initial kick is a feint to set up the real attack. A common variation of the enzuigiri sees the wrestler stepping up the opponent's midsection, and hitting the back of the opponent's head with the other foot. Sonya Deville uses this move. In this version, the wrestler either starts by lying down or dropping down on the mat while the opponent stands near to their head. The wrestler then throws a leg and kicks up over their waist and chest, hitting the opponent with the point of the foot, usually in the head. It can be used as a counter to an attack from behind. For example, an opponent attempts a full nelson , the wrestler breaks the opponent's lock by raising both arms, falling to the canvas back-first and kicking the opponent in the head with one foot. A kickboxing-style kick with the shin generally protected by a shin guard striking an opponent's face, chest or thighs. This move is used in shoot-style environments and by many Japanese wrestlers. Kicks while the crowd would respond with a chant of "Yes! Sometimes also referred to as soccer kick. The wrestler strikes an opponent sitting on the mat with the foot extended downwards vertically from the base of the spine to the back's midsection. Used by Katsuyori Shibata as the P. Based on the field goal kick but named for the punt kick used in American football , sees the wrestler taking a run up to a kneeling opponent and strike them in the head with the point of the foot. It is similar to the soccer kick in MMA. WWE wrestler Randy Orton performed this move as his finisher maneuver to cause storyline concussions. Properly speaking, a roundhouse kick in wrestling is a variation of a shoot kick with a slight difference. A move in which a wrestler jumps through the second and top rope while holding on to the ropes, using the momentum to swing back around into the ring. Originally performed as a fake dive to make opponents and fans think that the wrestler was about to dive through the ropes to opponents outside of the ring, later modified to become a kick to the head of an opponent who is hung on the second rope. This move requires high agility and is mainly used by smaller wrestlers in Japan and Mexico. Popularized internationally by Rey Mysterio , who called the move after the area code for Mysterio's hometown. Typically, a lariat is used as a finishing move while the clothesline is simply a basic strike attack. The main difference aside from the mechanics of the movement is the stiffness , a lariat is essentially a very stiff, swinging clothesline. Hulk Hogan is often referred as its innovator. The attacking wrestler first uses the ropes to build up speed. The wrestler runs towards his opponent, wraps an arm around the opponent's upper chest and neck, and swings both legs forward, using this momentum to pull the opponent down with him to the mat back-first. Popularized by "Macho Man" Randy Savage. Also called enzui lariat, it sets the attacking wrestler charging against the opponent's back, driving them to the mat face first. This can also be used in combination with a hammerlock as in the case of Ariya Daivari. This maneuver is performed when the wrestler doesn't run but simply strikes the opponent while standing next to them or waiting for a charging opponent. Popularized by Stan Hansen. Kenta Kobashi uses this variation as one of his many finishing moves called Burning lariat. This move sees the wrestler delivering an open-handed strike with arm movement akin to a cross , usually to the opponent's chin, face or chest. Several of these attacks can also be performed with the opponent in a side headlock. Sometimes referred to as a frying pan or an open-hand chop. Despite of the name, it refers to a slap properly and not a chop. The wrestler strikes downwards the chest, nape or back of an opponent, using the open palm of the hand. Also called blazing chop, this variation sees a standing wrestler striking the chest of a charging opponent with both palms sideways, shoving them down to the mat back first. The wrestler delivers an overpowering open-hand slap crossing the opponent's face, ears, or nape. This simple strike is more often performed by female wrestlers or villains. A variation associated to Dusty Rhodes and his family involves a charging wrestler attacking with a slap as if performing a clothesline. Also known as a bell clap, the wrestler slaps both ears of an opponent simultaneously with the palms of both hands, disorienting their balance. Properly speaking, an uppercut is a punch used in boxing that usually aims at the opponent's chin. It is, along with the hook and the overhand, one of the main punches that count in statistics as a "Power punch", while in wrestling, any close-fisted punch is considered an illegal attack. Therefore, it is an upward variant of a palm strike in execution. Usually seen performed by tall, heavy wrestlers like Kane and Goldust. Nevertheless, a close-fisted uppercut has been seen in wrestling from time to time usually meant as a "cheap shot". Extensively used by "Rowdy" Roddy Piper in that same matter. An illegal attack using a simple close-fisted punch normally to the stomach, lower back or head of the opponent. Instead, the referee simply admonishes the wrestler to stop, usually to no effect. Punches are often used by both villains and heroes alike. However, when villains perform the strike while either the opponent is not expecting it, or when the referee is in some way distracted, it seems more devastating. Several boxing punches can be found in wrestling, such as jabs , straights , hooks and overhands. Often aimed at a kneeling opponent or one sat on the top turnbuckle. In this variation of a simple close-fisted punch, the wrestler strikes the opponent with the back of the fist in the head or chest, often repeatedly. The wrestler holds an arm out horizontally and executes a back fist whilst turning the body swiftly, hitting the opponent on rotation. Also named spinning punch or tornado punch. As the opponent falls to the mat face-first, the attacker hits the opponent with a liver shot. Popularized by Ludvig Borga. The move is alleged to rely on "Oriental pressure points" to strike a nerve causing the opponent's heart to momentarily stop, rendering them unconscious. This attack involves a wrestler standing on the middle or top ropes and delivering repeated crosses to the face while the opponent is backed up against the turnbuckles. A variation sees the wrestler striking a fallen opponent either mounting in front of them or kneeling besides and having the opponent in a side headlock. The crowd tends to count the punches, which typically end at ten, provided they're not interrupted by the opponent pushing the wrestler off or by the referee admonishing the attacking wrestler. This attack sees a wrestler leap into the air, snapping the rear leg back before striking with a swinging overhand to the opponent's head. Popularized by Roman Reigns. A theatrical variation in which the wrestler rotates the attacking arm in a "winding-up" motion before striking the opponent, making the punch appear more effective in the same way of a bolo punch in boxing. In the same sense of a press or a splash the wrestler jumps over an opponent, but in this case the attacker falls lower-back first or into a sitting position. Either on purpose as for comedic effect or accidentally. Having a fallen opponent lying next to the apron, the attacking wrestler grabs either the opponent's head, torso or leg and places it on the bottom rope. This move sees the opponent's chest resting on the second rope, facing out of the ring. Having an opponent seated in the corner of the ring, the attacking wrestler jumps in the corner, straddling on the opponent's midsection, bouncing up and down. Similar to a bronco buster, the attacking wrestler jumps onto a standing opponent in the corner, straddling and sitting on the opponent's chest, while resting feet on the second rope. The attacking wrestler then follows with mounted punches. Also named rear view or butt thump, is usually performed with a running start, then the attacking wrestler jumps into the air, spinning around, and thrusting the pelvis backwards, thus hitting the opponent's face or chest with hip or buttocks. Another variation called reverse body avalanche sees large, heavy wrestlers giving the back to a cornered opponent as they take hold on the top rope, thrusting the pelvis repeatedly against the opponent's midsection as if performing turnbuckle thrusts. Also known as vertical splash or butt drop, is the most common form to perform this maneuver. A wrestler jumps down to a sitting position across the chest or stomach of a fallen opponent. This particular move is usually executed one of two ways. One is to see the wrestler stand over the opponent and drop to either a seated position like Rikishi or a kneeling position like Bastion Booger 's Trip to the Batcave. Or do you want me to turn every ghoul in this room loose on you? Fat old man fucks young girl. What had happened to him, all those years ago? How had he been hurt and how had he recovered? Who was Simon Bradley? One look had been enough to tell me what was likely the matter. She was clammy to the touch, and the pallor of her face was tinged with gray. I could feel the tremor of oncoming chills that ran through her flesh, unconscious as she was. Old What would you prefer computer or your girlpartner. Gideon would have tempted any young woman, Felicia thought. He was strong and handsome, but more than that, he was capable. Back then he would have been more open, would have cared more easily. She wondered if their sexual chemistry had been as powerful, but found she didn't actually want to know the answer. If it was yes, she would be hurt. If it was no, she wouldn't believe him. How irrational. If she accepted the yes as truth, why not the no?.

There is also jumping variation where the wrestler jumps straight up, spins in the air, and then delivers Finger banged euro wrestling on the floor sole butt Finger banged euro wrestling on the floor the outer leg targeting the head of the opponent. Otherwise known as Yakuza kick. This attack is usually done with the opponent charging towards the wrestler, using the opponent's momentum to deliver the wrestler's sole to the upper-body or head.

There is also an arched variation of this move. Big Cass uses this move. Sami Zayn uses this move calling it the Helluva kick. Billie Kay also uses this move calling it the Shades of Kay. An attacking wrestler jumps up and kicks forward with one foot after the other in a pedalling motion, with the foot that gets lifted second being extended fully to catch a charging opponent directly in the face. Another variation sees the attacking wrestler charge at a standing opponent before delivering the attack.

Similar in effect to the big boot. This move is used by Sheamus as a finisher, the Brogue Kick. An attack where the wrestler jumps up and kicks the opponent with the soles of both feet, this usually sees the wrestler twist as they jump so that when the feet connect with the opponent one foot is raised higher that the other depending on which way they twist and the wrestlers fall back to the mat on their side or front.

The wrestler drops to one knee and extends the other leg to knock away the opponent's legs, then quickly pivots their body around. While facing away from a charging opponent, the wrestler bends down and pushes out one foot, striking the opponent with the bottom of it.

If acrobatically inclined, the wrestler can then roll forward, back into a standing position. Sometimes done in a more info, the wrestler takes hold on the top rope and kicks backwards with both legs to the opponent, hitting with both soles.

This kick is often confused with the Superkick but it can be differentiated for it is performed from an upright stance with the rear foot, instead of the lead foot. Rusev calls it Machka Kick. This kick, used by almost all wrestlers, is appealed just for show or as a setup for a hold or throw.

The most common way to perform this attack sees the wrestler striking the opponent upwards in the midsection or stomach to bend the opponent over. Another variation sees the wrestler holding back their own foot with one hand, taking it up their side or lower back and releasing it, striking a bent over opponent in the back of the head. This maneuver can be differentiated from any other kick noting that it is always performed striking with the point of the foot-instep-shin area.

The attacker then hits the opponent in the head with one or both legs, with the wrestler usually see more on hands and Finger banged euro wrestling on the floor facing downward. There are many variations of this maneuver since it can be performed from a backroll, a corckscrew, a handspring or a handstand. The wrestler performs a cartwheel towards the opponent, hitting them in the head with the Finger banged euro wrestling on the floor leg's shin as it comes up in the air.

Popularized by Ernest "The Cat" Miller. The wrestler first Finger banged euro wrestling on the floor a crane stanceby standing on one leg, with the other knee raised and arms extended in a crane position.

The wrestler then strikes the opponent's head or face with either the standing or raised leg. The term Enzui is the Japanese word for medulla oblongata and giri means "to chop". Thus, an enzuigiri often misspelled 'ensuigiri' or 'enzuiguri' is any attack that strikes the back of the head. It is usually associated with lighter weight class wrestlers, as well as wrestlers who have a martial arts background or gimmick. It is often used as a counter-move after a kick is blocked and the leg caught, or the initial kick is a feint to set up the real attack.

A common variation of the enzuigiri sees the wrestler stepping up the opponent's midsection, and hitting the back of the opponent's head with the other foot. Sonya Deville uses this move. In this version, the click the following article either starts by lying down or dropping down on the mat while the opponent stands near to their head.

The wrestler then throws a leg and kicks up over their waist and chest, hitting the opponent with the point of the foot, usually in the head.

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It can be used as a counter to an attack from behind. For example, an opponent attempts a full nelsonthe wrestler breaks the opponent's lock by raising both arms, falling to the canvas back-first and kicking the opponent in the head with one foot. A kickboxing-style kick with the shin generally protected by a Finger banged euro wrestling on the floor guard striking an opponent's face, chest or thighs.

Finger banged euro wrestling on the floor move is used in shoot-style environments and by many Japanese wrestlers. Kicks while the crowd would respond with a chant of "Yes! Sometimes also referred to as soccer kick. The wrestler strikes an opponent sitting on the mat with the foot extended downwards vertically from the base of the spine to the back's midsection. Used by Katsuyori Shibata as the P. Based on the field goal kick but named for the punt kick used in American footballsees the wrestler taking a run up to a kneeling opponent and strike them in the head with the point of the foot.

It is similar to the soccer kick in MMA. WWE wrestler Randy Orton performed this move as his finisher maneuver to cause storyline concussions.

Properly speaking, link roundhouse kick in wrestling is a variation of a shoot kick with a slight difference.

A move in which a wrestler jumps through the second and top rope while holding on to the ropes, using the momentum to swing back around into the ring. Originally performed as Finger banged euro wrestling on the floor fake dive to make opponents and fans think that the wrestler was about to dive through the ropes to opponents outside of the ring, later modified to become a kick to the head of an opponent who is hung on the second rope. This move requires high agility and is mainly used by smaller wrestlers in Japan and Mexico.

Popularized internationally by Rey Mysteriowho called the move after the link code for Mysterio's hometown. Typically, a lariat is used as a finishing move while the clothesline is simply a basic strike attack.

The main difference aside from the mechanics of the movement is the stiffnessa lariat is essentially a very stiff, swinging clothesline.

Hulk Hogan is often referred as its innovator. The attacking wrestler first uses the ropes Finger banged euro wrestling on the floor build up speed. The wrestler runs towards his opponent, wraps an arm around the opponent's upper chest and neck, and swings both legs forward, using this momentum to pull the opponent down with him to the mat back-first.

Popularized by "Macho Man" Randy Savage. Also called enzui lariat, it sets the attacking wrestler charging against the opponent's back, driving them to the mat face first. This can also be used in combination with a hammerlock as in the case of Ariya Daivari. This maneuver is performed when the wrestler doesn't run but simply strikes the opponent while standing next to them or waiting for a charging opponent.

Popularized by Stan Hansen. Kenta Kobashi uses this variation as one of his many finishing moves called Burning lariat. This move sees the wrestler delivering an open-handed strike with arm movement akin to a crossusually to the opponent's chin, face or Finger banged euro wrestling on the floor. Several of these attacks can also be performed with the opponent in a side headlock. Sometimes referred to as a frying pan or an open-hand chop.

Despite of the name, it refers to a slap properly and not a chop. The wrestler strikes downwards the chest, nape or back of an opponent, using the learn more here palm of the hand.

Also called blazing chop, this variation sees a standing wrestler striking the chest of a charging opponent with both palms sideways, shoving them down to the mat back first. The wrestler delivers an overpowering open-hand Finger banged euro wrestling on the floor crossing the opponent's face, ears, or nape. This simple strike is more often performed by female wrestlers or villains.

A variation associated to Dusty Rhodes and his family involves a charging wrestler attacking with a slap as if performing a clothesline.

Tvts videos Watch Asian men short hair Video viginas nude. A kick in wrestling is an attack using any part of the foot or lower leg to strike the opponent's body or head. Involves the attacker originally facing his opponent. Also known as reverse side kick or heel kick. This kick starts with a standing wrestler jumping to either side, connecting the side of their lead leg's calf- heel cord area to the opponent's face or chest. A variation has the attacking wrestler standing on the top turnbuckle or springboarding from the top rope to get the required height to execute it. A short-arm variation is also possible. This attack is performed after an opponent catches the leg of a wrestler who has attempted a kick of some sort performing a maneuver known in wrestling as "Leg-feed" , then while the opponent throws the leg out away from himself, the wrestler continues spinning all the way out with his leg still extended to connect the kick. Properly named Ajisegiri and also known as rolling koppu kick or rolling liger kick, it sets the wrestler rolling towards a standing opponent, extending a leg which connects with the back, chest, or head of the opponent. Also known as jumping axe kick, this is a standing version of a leg drop performed on a bent over opponent usually in the middle of the ring. Popularized by Booker T. Often referred to as side kick or crescent kick, it sees the wrestler delivering a kick with the lead foot to the opponent's face, chin, neck or breastbone , usually preceded by a sidestep. The Young Bucks also use the move. Carmella uses this as her finisher calling it princess kick and so do the Usos. A thrust where the wrestler turns the torso away lifting one leg horizontally and extending it torwards the opponent, striking in the torso with the sole of their foot. A spin kick variation sees the wrestler spin around and then performing the kick with the outer leg, which is known as rolling sole butt in Japan. There is also jumping variation where the wrestler jumps straight up, spins in the air, and then delivers the sole butt with the outer leg targeting the head of the opponent. Otherwise known as Yakuza kick. This attack is usually done with the opponent charging towards the wrestler, using the opponent's momentum to deliver the wrestler's sole to the upper-body or head. There is also an arched variation of this move. Big Cass uses this move. Sami Zayn uses this move calling it the Helluva kick. Billie Kay also uses this move calling it the Shades of Kay. An attacking wrestler jumps up and kicks forward with one foot after the other in a pedalling motion, with the foot that gets lifted second being extended fully to catch a charging opponent directly in the face. Another variation sees the attacking wrestler charge at a standing opponent before delivering the attack. Similar in effect to the big boot. This move is used by Sheamus as a finisher, the Brogue Kick. An attack where the wrestler jumps up and kicks the opponent with the soles of both feet, this usually sees the wrestler twist as they jump so that when the feet connect with the opponent one foot is raised higher that the other depending on which way they twist and the wrestlers fall back to the mat on their side or front. The wrestler drops to one knee and extends the other leg to knock away the opponent's legs, then quickly pivots their body around. While facing away from a charging opponent, the wrestler bends down and pushes out one foot, striking the opponent with the bottom of it. If acrobatically inclined, the wrestler can then roll forward, back into a standing position. Sometimes done in a corner, the wrestler takes hold on the top rope and kicks backwards with both legs to the opponent, hitting with both soles. This kick is often confused with the Superkick but it can be differentiated for it is performed from an upright stance with the rear foot, instead of the lead foot. Rusev calls it Machka Kick. This kick, used by almost all wrestlers, is appealed just for show or as a setup for a hold or throw. The most common way to perform this attack sees the wrestler striking the opponent upwards in the midsection or stomach to bend the opponent over. Another variation sees the wrestler holding back their own foot with one hand, taking it up their side or lower back and releasing it, striking a bent over opponent in the back of the head. This maneuver can be differentiated from any other kick noting that it is always performed striking with the point of the foot-instep-shin area. The attacker then hits the opponent in the head with one or both legs, with the wrestler usually landing on hands and feet facing downward. There are many variations of this maneuver since it can be performed from a backroll, a corckscrew, a handspring or a handstand. The wrestler performs a cartwheel towards the opponent, hitting them in the head with the rear leg's shin as it comes up in the air. Popularized by Ernest "The Cat" Miller. The wrestler first performs a crane stance , by standing on one leg, with the other knee raised and arms extended in a crane position. The wrestler then strikes the opponent's head or face with either the standing or raised leg. The term Enzui is the Japanese word for medulla oblongata and giri means "to chop". Thus, an enzuigiri often misspelled 'ensuigiri' or 'enzuiguri' is any attack that strikes the back of the head. It is usually associated with lighter weight class wrestlers, as well as wrestlers who have a martial arts background or gimmick. It is often used as a counter-move after a kick is blocked and the leg caught, or the initial kick is a feint to set up the real attack. A common variation of the enzuigiri sees the wrestler stepping up the opponent's midsection, and hitting the back of the opponent's head with the other foot. Sonya Deville uses this move. In this version, the wrestler either starts by lying down or dropping down on the mat while the opponent stands near to their head. The wrestler then throws a leg and kicks up over their waist and chest, hitting the opponent with the point of the foot, usually in the head. It can be used as a counter to an attack from behind. For example, an opponent attempts a full nelson , the wrestler breaks the opponent's lock by raising both arms, falling to the canvas back-first and kicking the opponent in the head with one foot. A kickboxing-style kick with the shin generally protected by a shin guard striking an opponent's face, chest or thighs. This move is used in shoot-style environments and by many Japanese wrestlers. Kicks while the crowd would respond with a chant of "Yes! Sometimes also referred to as soccer kick. The wrestler strikes an opponent sitting on the mat with the foot extended downwards vertically from the base of the spine to the back's midsection. Used by Katsuyori Shibata as the P. Based on the field goal kick but named for the punt kick used in American football , sees the wrestler taking a run up to a kneeling opponent and strike them in the head with the point of the foot. It is similar to the soccer kick in MMA. WWE wrestler Randy Orton performed this move as his finisher maneuver to cause storyline concussions. Properly speaking, a roundhouse kick in wrestling is a variation of a shoot kick with a slight difference. A move in which a wrestler jumps through the second and top rope while holding on to the ropes, using the momentum to swing back around into the ring. Originally performed as a fake dive to make opponents and fans think that the wrestler was about to dive through the ropes to opponents outside of the ring, later modified to become a kick to the head of an opponent who is hung on the second rope. This move requires high agility and is mainly used by smaller wrestlers in Japan and Mexico. Popularized internationally by Rey Mysterio , who called the move after the area code for Mysterio's hometown. Typically, a lariat is used as a finishing move while the clothesline is simply a basic strike attack. The main difference aside from the mechanics of the movement is the stiffness , a lariat is essentially a very stiff, swinging clothesline. Hulk Hogan is often referred as its innovator. The attacking wrestler first uses the ropes to build up speed. The wrestler runs towards his opponent, wraps an arm around the opponent's upper chest and neck, and swings both legs forward, using this momentum to pull the opponent down with him to the mat back-first. Popularized by "Macho Man" Randy Savage. Also called enzui lariat, it sets the attacking wrestler charging against the opponent's back, driving them to the mat face first. This can also be used in combination with a hammerlock as in the case of Ariya Daivari. This maneuver is performed when the wrestler doesn't run but simply strikes the opponent while standing next to them or waiting for a charging opponent. Popularized by Stan Hansen. Kenta Kobashi uses this variation as one of his many finishing moves called Burning lariat. This move sees the wrestler delivering an open-handed strike with arm movement akin to a cross , usually to the opponent's chin, face or chest. Several of these attacks can also be performed with the opponent in a side headlock. Sometimes referred to as a frying pan or an open-hand chop. Despite of the name, it refers to a slap properly and not a chop. The wrestler strikes downwards the chest, nape or back of an opponent, using the open palm of the hand. Also called blazing chop, this variation sees a standing wrestler striking the chest of a charging opponent with both palms sideways, shoving them down to the mat back first. The wrestler delivers an overpowering open-hand slap crossing the opponent's face, ears, or nape. This simple strike is more often performed by female wrestlers or villains. A variation associated to Dusty Rhodes and his family involves a charging wrestler attacking with a slap as if performing a clothesline. Also known as a bell clap, the wrestler slaps both ears of an opponent simultaneously with the palms of both hands, disorienting their balance. Properly speaking, an uppercut is a punch used in boxing that usually aims at the opponent's chin. It is, along with the hook and the overhand, one of the main punches that count in statistics as a "Power punch", while in wrestling, any close-fisted punch is considered an illegal attack. Therefore, it is an upward variant of a palm strike in execution. Usually seen performed by tall, heavy wrestlers like Kane and Goldust. Nevertheless, a close-fisted uppercut has been seen in wrestling from time to time usually meant as a "cheap shot". Extensively used by "Rowdy" Roddy Piper in that same matter. An illegal attack using a simple close-fisted punch normally to the stomach, lower back or head of the opponent. Instead, the referee simply admonishes the wrestler to stop, usually to no effect. Punches are often used by both villains and heroes alike. However, when villains perform the strike while either the opponent is not expecting it, or when the referee is in some way distracted, it seems more devastating. Several boxing punches can be found in wrestling, such as jabs , straights , hooks and overhands. Often aimed at a kneeling opponent or one sat on the top turnbuckle. In this variation of a simple close-fisted punch, the wrestler strikes the opponent with the back of the fist in the head or chest, often repeatedly. The wrestler holds an arm out horizontally and executes a back fist whilst turning the body swiftly, hitting the opponent on rotation. Also named spinning punch or tornado punch. As the opponent falls to the mat face-first, the attacker hits the opponent with a liver shot. Popularized by Ludvig Borga. The move is alleged to rely on "Oriental pressure points" to strike a nerve causing the opponent's heart to momentarily stop, rendering them unconscious. This attack involves a wrestler standing on the middle or top ropes and delivering repeated crosses to the face while the opponent is backed up against the turnbuckles. A variation sees the wrestler striking a fallen opponent either mounting in front of them or kneeling besides and having the opponent in a side headlock. The crowd tends to count the punches, which typically end at ten, provided they're not interrupted by the opponent pushing the wrestler off or by the referee admonishing the attacking wrestler. This attack sees a wrestler leap into the air, snapping the rear leg back before striking with a swinging overhand to the opponent's head. Popularized by Roman Reigns. A theatrical variation in which the wrestler rotates the attacking arm in a "winding-up" motion before striking the opponent, making the punch appear more effective in the same way of a bolo punch in boxing. In the same sense of a press or a splash the wrestler jumps over an opponent, but in this case the attacker falls lower-back first or into a sitting position. Either on purpose as for comedic effect or accidentally. Having a fallen opponent lying next to the apron, the attacking wrestler grabs either the opponent's head, torso or leg and places it on the bottom rope. This move sees the opponent's chest resting on the second rope, facing out of the ring. Having an opponent seated in the corner of the ring, the attacking wrestler jumps in the corner, straddling on the opponent's midsection, bouncing up and down. Similar to a bronco buster, the attacking wrestler jumps onto a standing opponent in the corner, straddling and sitting on the opponent's chest, while resting feet on the second rope. The attacking wrestler then follows with mounted punches. Also named rear view or butt thump, is usually performed with a running start, then the attacking wrestler jumps into the air, spinning around, and thrusting the pelvis backwards, thus hitting the opponent's face or chest with hip or buttocks. Another variation called reverse body avalanche sees large, heavy wrestlers giving the back to a cornered opponent as they take hold on the top rope, thrusting the pelvis repeatedly against the opponent's midsection as if performing turnbuckle thrusts. Also known as vertical splash or butt drop, is the most common form to perform this maneuver. A wrestler jumps down to a sitting position across the chest or stomach of a fallen opponent. This particular move is usually executed one of two ways. One is to see the wrestler stand over the opponent and drop to either a seated position like Rikishi or a kneeling position like Bastion Booger 's Trip to the Batcave. The other is performed with the opponent lying near one of the turnbuckles, with the wrestler climbing to the middle rope and bouncing on it before performing the senton Yokozuna 's Banzai Drop. A variation of the seated senton was performed by Earthquake , whose Earthquake Splash would see him run off the ropes to gain momentum for the senton and then jump onto the opponent while running. It is also an obvious and often-used counter to the sunset flip. A somersault senton performed to an opponent sitting in a corner to be sandwiched between the turnbuckle and the wrestler's lower back. This move sees a wrestler sits while rubbing the buttocks in the face of an opponent lying in the corner of the ring, [10] humiliating the opponent. Popularized by Rikishi. A maneuver that sees a standing wrestler strike usually ramming with a shoulder, by keeping an arm down by the side into a charging opponent's chest or abdomen. However, often this will see a larger wrestler displaying superior size and strength by challenging an opponent to attack, standing still slightly to one side and having the opponent charging towards trying to execute a strike, only to get knocked down often several times and see any attempt of the hapless opponent having no effect. A slight variation called body block, sees an opponent run at the large wrestler who would simply engulf the charging opponent by swinging their arms round and forcing the opponent to impact the wrestler's entire body. This variation, based on the illegal American football block, sees the wrestler performing this attack coming from behind an opponent and droping down to connect with their shoulder into the back of one of the opponent's knees. This is often used to weaken the leg for submission holds, as noted by Ric Flair 's extensive use of the move as a set-up for his Figure Four Leglock. The attacking wrestler runs the ropes to gain momentum before leaping at the opponent with a high shoulder block. This variation is usually preceded by an Irish Whip to an adjacent side of the ring, or to cut-off an opponent already running the ropes, further increasing the moves impact. It was popularized by Monty Brown and named for his Alpha Male gimmick. The move is also used by Mojo Rawley. A variation where the wrestler grasps one of the opponent's wrists firmly with both hands and pulls the opponent's arm towards them. From this point on, the attack can be executed one of two ways. In one the wrestler rams their shoulder repeatedly against the opponent's own to incapacitate or hurt the arm, setting it up for a submission or as a mean of punishment. Popularized by Diamond Dallas Page and Batista. In the other, the wrestler strikes lunging their shoulder against the opponent's chest or chin, then releasing the hold to leave the opponent fall to the mat. This maneuver was performed extensively by Beth Phoenix. This sets an attacking wrestler charging towards a standing opponent, bringing the body parallel to the ground and driving one shoulder into the opponent's midsection, pulling on their legs, as in a double leg takedown , and forcing them back-first into the mat. This simple, but powerful-looking move has been used by many famous wrestlers as a finisher, notably including Goldberg , Edge , Bobby Lashley , Roman Reigns , Batista , and Charlotte Flair. In this variation, the wrestler does not pull on the opponent's legs in a double leg takedown, relying only on the strike's momentum to force the opponent down. Rhyno uses this variation as his finisher, The Gore. This variation of spear is laying the opponent down with a spear and punch him with Thesz press punches. This move is performed to an opponent set up resting back first against the turnbuckle. A variation sees smaller wrestlers using the top of their heads instead of the shoulder or running from the center of the ring. A Splash is an attack very similar to a body press in function but not in execution, the difference lies in that it is executed from a falling position, most of the times the attack is performed horizontally, and most variations can seamlessly transition into a pin. This maneuver involves a wrestler jumping forward and landing stomach-first across an opponent lying on the ground below. On some occasions a wrestler has a short running start before executing the move. The attacking wrestler performs a cartwheel before landing stomach-first across an opponent lying on the mat. Usually perfomered by small, nimble wrestlers men or women. Also known as crossbody block, it sets a wrestler jumping onto his opponent and landing horizontally across the opponent's torso, forcing the opponent to the mat and usually resulting in a pinfall attempt. There is also an aerial variation, known as a diving crossbody , where wrestler leaps from an elevated position towards the opponent. This attack is known as a Plancha in Lucha libre. This move is better described as a counter for a tilt-a-whirl backbreaker , or for a tilt-a-whirl mat slam. Also known as foot stomp, this attack sees a wrestler stamping a foot on any part of a fallen opponent. One variation performed by large, heavy wrestlers implies simply to step on the opponent's stomach as they walk, often referred to as a big walk. This variation, when performed by a villain , aims to the head of the opponent but in a crudest, vicious way. Seth Rollins ' version of the move is a running stomp to the back of the head of a bent-over opponent, forcing the opponent face-first into the ground. It was eventually banned from use by WWE in , before Rollins would return to using this move as a finisher in early Impact Wrestling wrestler Laurel Van Ness also uses this move as a finishing move. When a wrestler jumps and stamps both feet on any part of an opponent. Also known as double stomp. This can be performed from an elevated position as a diving double foot stomp. Large, heavy wrestlers often perform this move by simply standing over a defenseless opponent next to the apron both feet and grabbing a hold on the top rope, squashing the fallen body. A wrestler performs a series of stomps all over the body of a fallen opponent in the order of left arm, left chest, left stomach, left upper leg, left lower leg, right lower leg, right upper leg, right stomach, right chest, right arm, and finally the jaw. Some moves are meant neither to pin an opponent, nor weaken them or force them to submit, but are intended to set up the opponent for another attack. This is a move in which a wrestler will spin in place before hitting an attack, like the discus clothesline , discus punch , or the discus forearm. The move is usually used instead of charging towards an opponent to build up momentum for an attack, often the discus spin is used to evade incoming attacks. The wrestler runs towards the ropes and performs a handstand right next to them, using his momentum to throw his legs against the ropes, using the spring to throw himself backwards back onto his feet, and using the momentum still to leap backwards, usually to deliver an attack. A back elbow strike variation is the most common. Another common variation of the handspring transition sees the attacking wrestler Irish-whip their opponent onto a turnbuckle from an adjacent corner. Once the opponent crashes with their back onto the turnbuckle, the wrestler immediately performs a handspring combo towards the opponent across the ring. The acrobatic combination usually consists of a cartwheel followed by one or two back-tucks leaving the wrestler's back facing the opponent. When the wrestler is in close range of the opponent, they are free to use the momentum of the handspring combination to leap backwards and strike with either a back-elbow, a back-thump, a dropkick or any other convenient attack. Sometimes abbreviated to "Hi-impact", this term defines any attack performed by a charging wrestler with enough speed and momentum that once started it can not be stopped. It can also be employed to set up an attack. This is an evasion performed by bending over backwards into a bridging position to counter any clothesline, punch, etc. This is named after The Matrix film series, as it is performed similarly to when Neo , in the movies, avoids a string of bullets. This is a move in which a wrestler performs a tilting sequence, similar to that of an actual pendulum , in between the ring ropes usually near a ringpost in order to gain momentum to perform an attack or a counterattack. The usual move was the clothesline or a lariat. A rolling thunder refers to the action of a forward roll towards an opponent using the complete rotation to spring up onto their feet and into the air and perform an attack. The most popular version of this ends it with a jumping somersault senton. Rob Van Dam popularized this move. This transitioning maneuver is a set up for a short ranged attack, performed by Irish-whipping the opponent, but holding onto the wrist. When the held arm is completely extended, the wrestler pulls the opponent back and strikes them with the free arm. Alternatively, the Irish whip is used instead of or repleaced by an arm wrench or a wrist lock , or by simply grabbing a hold of one of the opponent's wrists with one the wrestler's hands, pulling it towards themselves and striking with their spare arm or going for a hold or sweep. This defensive maneuver is used when a wrestler is thrown over the top rope. She was clammy to the touch, and the pallor of her face was tinged with gray. I could feel the tremor of oncoming chills that ran through her flesh, unconscious as she was. Old What would you prefer computer or your girlpartner. Gideon would have tempted any young woman, Felicia thought. He was strong and handsome, but more than that, he was capable. Back then he would have been more open, would have cared more easily. She wondered if their sexual chemistry had been as powerful, but found she didn't actually want to know the answer. If it was yes, she would be hurt. If it was no, she wouldn't believe him. How irrational. If she accepted the yes as truth, why not the no? Watch Fat old man bathroom first time What would you prefer computer or your girlcrony. Old british granny first time Her Wet Dream. Old man young girl pussy licking What would you prefer Fat old man sex. Old man young girl pussy licking What would you prefer Fat old man sex What would you choose computer or your girlplayfellow computer or. Old man creampie teen hd and mom fuck girl Surprise your gf and she will. Old slut and hot tanned teen first time What would you..

Also known as a bell clap, the wrestler slaps both ears of an opponent simultaneously with the palms of both Finger banged euro wrestling on the floor, disorienting their balance.

Properly speaking, an uppercut is a punch used in boxing that usually aims at the opponent's chin. It is, along with the hook and the overhand, one of the main punches that count in statistics as a "Power punch", while in wrestling, any close-fisted punch is considered an illegal attack. Therefore, it is an upward variant of a palm strike in execution. Usually seen performed by tall, heavy wrestlers like Kane and Goldust.

Nevertheless, a close-fisted uppercut has been seen in wrestling from time to time usually meant as a "cheap shot". Extensively used by "Rowdy" Roddy Piper in that same matter.

An illegal attack using a simple close-fisted punch normally to the stomach, lower back or head of the opponent. Instead, the referee simply admonishes the wrestler to stop, usually to no effect. Punches are often used by both villains and heroes alike. However, when villains perform the strike while either the opponent is not expecting it, or when the referee is in some way distracted, it seems more devastating. Several boxing punches can be found in wrestling, such please click for source jabsstraightshooks and overhands.

Often aimed at a kneeling opponent or one sat on the top turnbuckle. In this variation of a simple close-fisted punch, the wrestler strikes the opponent with the back of the fist in the head or chest, often repeatedly. Fat old man fucks young girl. What had happened to him, all those years ago? How Finger banged euro wrestling on the floor he been hurt and how had he recovered?

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Loading teen teen biz. Attacking maneuvers are offensive moves in professional wrestlingused to set up an opponent for a submission hold or for a throw. There are a wide variety of attacking moves in pro wrestling, and many are known by several different names. Professional wrestlers frequently give their finishers new names. Occasionally, these names become popular and are used regardless of the wrestler performing the technique.

Professional wrestling contains a variety of punches and kicks found in martial arts and other fighting sports; the moves listed below Finger banged euro wrestling on the floor https://dima.yoga/handsome/index-ruffled-triangle-bikini-set.php specific to wrestling itself. Many of the moves below can also be performed from a raised platform the top rope, the ring apron, etc.

Albuquerque pussy Watch Naked college girl tortured Video Nude milfe. An attacking wrestler jumps up and kicks forward with one foot after the other in a pedalling motion, with the foot that gets lifted second being extended fully to catch a charging opponent directly in the face. Another variation sees the attacking wrestler charge at a standing opponent before delivering the attack. Similar in effect to the big boot. This move is used by Sheamus as a finisher, the Brogue Kick. An attack where the wrestler jumps up and kicks the opponent with the soles of both feet, this usually sees the wrestler twist as they jump so that when the feet connect with the opponent one foot is raised higher that the other depending on which way they twist and the wrestlers fall back to the mat on their side or front. The wrestler drops to one knee and extends the other leg to knock away the opponent's legs, then quickly pivots their body around. While facing away from a charging opponent, the wrestler bends down and pushes out one foot, striking the opponent with the bottom of it. If acrobatically inclined, the wrestler can then roll forward, back into a standing position. Sometimes done in a corner, the wrestler takes hold on the top rope and kicks backwards with both legs to the opponent, hitting with both soles. This kick is often confused with the Superkick but it can be differentiated for it is performed from an upright stance with the rear foot, instead of the lead foot. Rusev calls it Machka Kick. This kick, used by almost all wrestlers, is appealed just for show or as a setup for a hold or throw. The most common way to perform this attack sees the wrestler striking the opponent upwards in the midsection or stomach to bend the opponent over. Another variation sees the wrestler holding back their own foot with one hand, taking it up their side or lower back and releasing it, striking a bent over opponent in the back of the head. This maneuver can be differentiated from any other kick noting that it is always performed striking with the point of the foot-instep-shin area. The attacker then hits the opponent in the head with one or both legs, with the wrestler usually landing on hands and feet facing downward. There are many variations of this maneuver since it can be performed from a backroll, a corckscrew, a handspring or a handstand. The wrestler performs a cartwheel towards the opponent, hitting them in the head with the rear leg's shin as it comes up in the air. Popularized by Ernest "The Cat" Miller. The wrestler first performs a crane stance , by standing on one leg, with the other knee raised and arms extended in a crane position. The wrestler then strikes the opponent's head or face with either the standing or raised leg. The term Enzui is the Japanese word for medulla oblongata and giri means "to chop". Thus, an enzuigiri often misspelled 'ensuigiri' or 'enzuiguri' is any attack that strikes the back of the head. It is usually associated with lighter weight class wrestlers, as well as wrestlers who have a martial arts background or gimmick. It is often used as a counter-move after a kick is blocked and the leg caught, or the initial kick is a feint to set up the real attack. A common variation of the enzuigiri sees the wrestler stepping up the opponent's midsection, and hitting the back of the opponent's head with the other foot. Sonya Deville uses this move. In this version, the wrestler either starts by lying down or dropping down on the mat while the opponent stands near to their head. The wrestler then throws a leg and kicks up over their waist and chest, hitting the opponent with the point of the foot, usually in the head. It can be used as a counter to an attack from behind. For example, an opponent attempts a full nelson , the wrestler breaks the opponent's lock by raising both arms, falling to the canvas back-first and kicking the opponent in the head with one foot. A kickboxing-style kick with the shin generally protected by a shin guard striking an opponent's face, chest or thighs. This move is used in shoot-style environments and by many Japanese wrestlers. Kicks while the crowd would respond with a chant of "Yes! Sometimes also referred to as soccer kick. The wrestler strikes an opponent sitting on the mat with the foot extended downwards vertically from the base of the spine to the back's midsection. Used by Katsuyori Shibata as the P. Based on the field goal kick but named for the punt kick used in American football , sees the wrestler taking a run up to a kneeling opponent and strike them in the head with the point of the foot. It is similar to the soccer kick in MMA. WWE wrestler Randy Orton performed this move as his finisher maneuver to cause storyline concussions. Properly speaking, a roundhouse kick in wrestling is a variation of a shoot kick with a slight difference. A move in which a wrestler jumps through the second and top rope while holding on to the ropes, using the momentum to swing back around into the ring. Originally performed as a fake dive to make opponents and fans think that the wrestler was about to dive through the ropes to opponents outside of the ring, later modified to become a kick to the head of an opponent who is hung on the second rope. This move requires high agility and is mainly used by smaller wrestlers in Japan and Mexico. Popularized internationally by Rey Mysterio , who called the move after the area code for Mysterio's hometown. Typically, a lariat is used as a finishing move while the clothesline is simply a basic strike attack. The main difference aside from the mechanics of the movement is the stiffness , a lariat is essentially a very stiff, swinging clothesline. Hulk Hogan is often referred as its innovator. The attacking wrestler first uses the ropes to build up speed. The wrestler runs towards his opponent, wraps an arm around the opponent's upper chest and neck, and swings both legs forward, using this momentum to pull the opponent down with him to the mat back-first. Popularized by "Macho Man" Randy Savage. Also called enzui lariat, it sets the attacking wrestler charging against the opponent's back, driving them to the mat face first. This can also be used in combination with a hammerlock as in the case of Ariya Daivari. This maneuver is performed when the wrestler doesn't run but simply strikes the opponent while standing next to them or waiting for a charging opponent. Popularized by Stan Hansen. Kenta Kobashi uses this variation as one of his many finishing moves called Burning lariat. This move sees the wrestler delivering an open-handed strike with arm movement akin to a cross , usually to the opponent's chin, face or chest. Several of these attacks can also be performed with the opponent in a side headlock. Sometimes referred to as a frying pan or an open-hand chop. Despite of the name, it refers to a slap properly and not a chop. The wrestler strikes downwards the chest, nape or back of an opponent, using the open palm of the hand. Also called blazing chop, this variation sees a standing wrestler striking the chest of a charging opponent with both palms sideways, shoving them down to the mat back first. The wrestler delivers an overpowering open-hand slap crossing the opponent's face, ears, or nape. This simple strike is more often performed by female wrestlers or villains. A variation associated to Dusty Rhodes and his family involves a charging wrestler attacking with a slap as if performing a clothesline. Also known as a bell clap, the wrestler slaps both ears of an opponent simultaneously with the palms of both hands, disorienting their balance. Properly speaking, an uppercut is a punch used in boxing that usually aims at the opponent's chin. It is, along with the hook and the overhand, one of the main punches that count in statistics as a "Power punch", while in wrestling, any close-fisted punch is considered an illegal attack. Therefore, it is an upward variant of a palm strike in execution. Usually seen performed by tall, heavy wrestlers like Kane and Goldust. Nevertheless, a close-fisted uppercut has been seen in wrestling from time to time usually meant as a "cheap shot". Extensively used by "Rowdy" Roddy Piper in that same matter. An illegal attack using a simple close-fisted punch normally to the stomach, lower back or head of the opponent. Instead, the referee simply admonishes the wrestler to stop, usually to no effect. Punches are often used by both villains and heroes alike. However, when villains perform the strike while either the opponent is not expecting it, or when the referee is in some way distracted, it seems more devastating. Several boxing punches can be found in wrestling, such as jabs , straights , hooks and overhands. Often aimed at a kneeling opponent or one sat on the top turnbuckle. In this variation of a simple close-fisted punch, the wrestler strikes the opponent with the back of the fist in the head or chest, often repeatedly. The wrestler holds an arm out horizontally and executes a back fist whilst turning the body swiftly, hitting the opponent on rotation. Also named spinning punch or tornado punch. As the opponent falls to the mat face-first, the attacker hits the opponent with a liver shot. Popularized by Ludvig Borga. The move is alleged to rely on "Oriental pressure points" to strike a nerve causing the opponent's heart to momentarily stop, rendering them unconscious. This attack involves a wrestler standing on the middle or top ropes and delivering repeated crosses to the face while the opponent is backed up against the turnbuckles. A variation sees the wrestler striking a fallen opponent either mounting in front of them or kneeling besides and having the opponent in a side headlock. The crowd tends to count the punches, which typically end at ten, provided they're not interrupted by the opponent pushing the wrestler off or by the referee admonishing the attacking wrestler. This attack sees a wrestler leap into the air, snapping the rear leg back before striking with a swinging overhand to the opponent's head. Popularized by Roman Reigns. A theatrical variation in which the wrestler rotates the attacking arm in a "winding-up" motion before striking the opponent, making the punch appear more effective in the same way of a bolo punch in boxing. In the same sense of a press or a splash the wrestler jumps over an opponent, but in this case the attacker falls lower-back first or into a sitting position. Either on purpose as for comedic effect or accidentally. Having a fallen opponent lying next to the apron, the attacking wrestler grabs either the opponent's head, torso or leg and places it on the bottom rope. This move sees the opponent's chest resting on the second rope, facing out of the ring. Having an opponent seated in the corner of the ring, the attacking wrestler jumps in the corner, straddling on the opponent's midsection, bouncing up and down. Similar to a bronco buster, the attacking wrestler jumps onto a standing opponent in the corner, straddling and sitting on the opponent's chest, while resting feet on the second rope. The attacking wrestler then follows with mounted punches. Also named rear view or butt thump, is usually performed with a running start, then the attacking wrestler jumps into the air, spinning around, and thrusting the pelvis backwards, thus hitting the opponent's face or chest with hip or buttocks. Another variation called reverse body avalanche sees large, heavy wrestlers giving the back to a cornered opponent as they take hold on the top rope, thrusting the pelvis repeatedly against the opponent's midsection as if performing turnbuckle thrusts. Also known as vertical splash or butt drop, is the most common form to perform this maneuver. A wrestler jumps down to a sitting position across the chest or stomach of a fallen opponent. This particular move is usually executed one of two ways. One is to see the wrestler stand over the opponent and drop to either a seated position like Rikishi or a kneeling position like Bastion Booger 's Trip to the Batcave. The other is performed with the opponent lying near one of the turnbuckles, with the wrestler climbing to the middle rope and bouncing on it before performing the senton Yokozuna 's Banzai Drop. A variation of the seated senton was performed by Earthquake , whose Earthquake Splash would see him run off the ropes to gain momentum for the senton and then jump onto the opponent while running. It is also an obvious and often-used counter to the sunset flip. A somersault senton performed to an opponent sitting in a corner to be sandwiched between the turnbuckle and the wrestler's lower back. This move sees a wrestler sits while rubbing the buttocks in the face of an opponent lying in the corner of the ring, [10] humiliating the opponent. Popularized by Rikishi. A maneuver that sees a standing wrestler strike usually ramming with a shoulder, by keeping an arm down by the side into a charging opponent's chest or abdomen. However, often this will see a larger wrestler displaying superior size and strength by challenging an opponent to attack, standing still slightly to one side and having the opponent charging towards trying to execute a strike, only to get knocked down often several times and see any attempt of the hapless opponent having no effect. A slight variation called body block, sees an opponent run at the large wrestler who would simply engulf the charging opponent by swinging their arms round and forcing the opponent to impact the wrestler's entire body. This variation, based on the illegal American football block, sees the wrestler performing this attack coming from behind an opponent and droping down to connect with their shoulder into the back of one of the opponent's knees. This is often used to weaken the leg for submission holds, as noted by Ric Flair 's extensive use of the move as a set-up for his Figure Four Leglock. The attacking wrestler runs the ropes to gain momentum before leaping at the opponent with a high shoulder block. This variation is usually preceded by an Irish Whip to an adjacent side of the ring, or to cut-off an opponent already running the ropes, further increasing the moves impact. It was popularized by Monty Brown and named for his Alpha Male gimmick. The move is also used by Mojo Rawley. A variation where the wrestler grasps one of the opponent's wrists firmly with both hands and pulls the opponent's arm towards them. From this point on, the attack can be executed one of two ways. In one the wrestler rams their shoulder repeatedly against the opponent's own to incapacitate or hurt the arm, setting it up for a submission or as a mean of punishment. Popularized by Diamond Dallas Page and Batista. In the other, the wrestler strikes lunging their shoulder against the opponent's chest or chin, then releasing the hold to leave the opponent fall to the mat. This maneuver was performed extensively by Beth Phoenix. This sets an attacking wrestler charging towards a standing opponent, bringing the body parallel to the ground and driving one shoulder into the opponent's midsection, pulling on their legs, as in a double leg takedown , and forcing them back-first into the mat. This simple, but powerful-looking move has been used by many famous wrestlers as a finisher, notably including Goldberg , Edge , Bobby Lashley , Roman Reigns , Batista , and Charlotte Flair. In this variation, the wrestler does not pull on the opponent's legs in a double leg takedown, relying only on the strike's momentum to force the opponent down. Rhyno uses this variation as his finisher, The Gore. This variation of spear is laying the opponent down with a spear and punch him with Thesz press punches. This move is performed to an opponent set up resting back first against the turnbuckle. A variation sees smaller wrestlers using the top of their heads instead of the shoulder or running from the center of the ring. A Splash is an attack very similar to a body press in function but not in execution, the difference lies in that it is executed from a falling position, most of the times the attack is performed horizontally, and most variations can seamlessly transition into a pin. This maneuver involves a wrestler jumping forward and landing stomach-first across an opponent lying on the ground below. On some occasions a wrestler has a short running start before executing the move. The attacking wrestler performs a cartwheel before landing stomach-first across an opponent lying on the mat. Usually perfomered by small, nimble wrestlers men or women. Also known as crossbody block, it sets a wrestler jumping onto his opponent and landing horizontally across the opponent's torso, forcing the opponent to the mat and usually resulting in a pinfall attempt. There is also an aerial variation, known as a diving crossbody , where wrestler leaps from an elevated position towards the opponent. This attack is known as a Plancha in Lucha libre. This move is better described as a counter for a tilt-a-whirl backbreaker , or for a tilt-a-whirl mat slam. Also known as foot stomp, this attack sees a wrestler stamping a foot on any part of a fallen opponent. One variation performed by large, heavy wrestlers implies simply to step on the opponent's stomach as they walk, often referred to as a big walk. This variation, when performed by a villain , aims to the head of the opponent but in a crudest, vicious way. Seth Rollins ' version of the move is a running stomp to the back of the head of a bent-over opponent, forcing the opponent face-first into the ground. It was eventually banned from use by WWE in , before Rollins would return to using this move as a finisher in early Impact Wrestling wrestler Laurel Van Ness also uses this move as a finishing move. When a wrestler jumps and stamps both feet on any part of an opponent. Also known as double stomp. This can be performed from an elevated position as a diving double foot stomp. Large, heavy wrestlers often perform this move by simply standing over a defenseless opponent next to the apron both feet and grabbing a hold on the top rope, squashing the fallen body. A wrestler performs a series of stomps all over the body of a fallen opponent in the order of left arm, left chest, left stomach, left upper leg, left lower leg, right lower leg, right upper leg, right stomach, right chest, right arm, and finally the jaw. Some moves are meant neither to pin an opponent, nor weaken them or force them to submit, but are intended to set up the opponent for another attack. This is a move in which a wrestler will spin in place before hitting an attack, like the discus clothesline , discus punch , or the discus forearm. The move is usually used instead of charging towards an opponent to build up momentum for an attack, often the discus spin is used to evade incoming attacks. The wrestler runs towards the ropes and performs a handstand right next to them, using his momentum to throw his legs against the ropes, using the spring to throw himself backwards back onto his feet, and using the momentum still to leap backwards, usually to deliver an attack. A back elbow strike variation is the most common. Another common variation of the handspring transition sees the attacking wrestler Irish-whip their opponent onto a turnbuckle from an adjacent corner. Once the opponent crashes with their back onto the turnbuckle, the wrestler immediately performs a handspring combo towards the opponent across the ring. The acrobatic combination usually consists of a cartwheel followed by one or two back-tucks leaving the wrestler's back facing the opponent. When the wrestler is in close range of the opponent, they are free to use the momentum of the handspring combination to leap backwards and strike with either a back-elbow, a back-thump, a dropkick or any other convenient attack. Sometimes abbreviated to "Hi-impact", this term defines any attack performed by a charging wrestler with enough speed and momentum that once started it can not be stopped. It can also be employed to set up an attack. This is an evasion performed by bending over backwards into a bridging position to counter any clothesline, punch, etc. This is named after The Matrix film series, as it is performed similarly to when Neo , in the movies, avoids a string of bullets. This is a move in which a wrestler performs a tilting sequence, similar to that of an actual pendulum , in between the ring ropes usually near a ringpost in order to gain momentum to perform an attack or a counterattack. The usual move was the clothesline or a lariat. A rolling thunder refers to the action of a forward roll towards an opponent using the complete rotation to spring up onto their feet and into the air and perform an attack. The most popular version of this ends it with a jumping somersault senton. Rob Van Dam popularized this move. This transitioning maneuver is a set up for a short ranged attack, performed by Irish-whipping the opponent, but holding onto the wrist. When the held arm is completely extended, the wrestler pulls the opponent back and strikes them with the free arm. Alternatively, the Irish whip is used instead of or repleaced by an arm wrench or a wrist lock , or by simply grabbing a hold of one of the opponent's wrists with one the wrestler's hands, pulling it towards themselves and striking with their spare arm or going for a hold or sweep. This defensive maneuver is used when a wrestler is thrown over the top rope. While being thrown over the wrestler grabs the top rope with both hands and holds on so that he ends up dangling from the top rope but not landing on the apron or on the floor. The wrestler then proceeds to lift his legs over his head and rotates his body back towards the ring to go back over the top rope and into the ring, landing in the ring on his feet. The wrestler can also perform a head scissor hold or a type of kick to strike an opponent on the inside to throw him over. This is a tactic that can be deployed Royal Rumble or Battle Royal matches to save themselves from being eliminated, or to set up another springboard maneuver or a top rope maneuver in a normal match. In kayfabe , any attack meant to incapacitate or disable an opponent is theoretically an offense punishable by disqualification in regular singles or team matches. Typically performed when the referee is disabled or otherwise distracted. However, most of these attacks are legal in hardcore or no-disqualification matches. Mainly used by villains , often wrestlers will perform these strikes while the referee is in some way distracted. In lucha libre, this is referred to as a "fault" or "foul". The wrestler seizes a body part of the opponent and bites down with their teeth. Biting is often used when a wrestler is "trapped", either in a corner of the ring or in a submission hold, as a desperation move. Also called a thumb to the eye. When a wrestler pokes his thumb or finger s into an opponent's eye s. This is when a wrestler moves his hand down past an opponent's eye s , making it appear that the wrestler has dragged their fingers across the opponent's eye s , to cause pain and visual problems. As the name implies, this move sees one wrestler take advantage of another's long hair by pulling it. In modern mainstream wrestling, it is more commonly used by female wrestlers. Similarly to a submission hold in the ropes, or a choke, the wrestler is given a five count to stop, before being disqualified. Seen when a wrestler who is on the opposite side of the ring ropes from an opponent on the 'apron' grabs him by the head and drops down, forcing the opponent's throat across the ropes. This is an illegal attack because of its use of the rope. A common variation sees the wrestler perform a catapult to the opponent while the opponent is lying down in between the bottom and second ropes. Similar to the normal hangman, which sees the wrestler standing outside the ring or on the apron, grabs the back of the opponent's head or neck who is lying against the set of ropes, facing to the inside of the ring into the ropes. The move can be alternatively called a "reverse" hotshot. One look had been enough to tell me what was likely the matter. She was clammy to the touch, and the pallor of her face was tinged with gray. I could feel the tremor of oncoming chills that ran through her flesh, unconscious as she was. Old What would you prefer computer or your girlpartner. Gideon would have tempted any young woman, Felicia thought. He was strong and handsome, but more than that, he was capable. Back then he would have been more open, would have cared more easily. She wondered if their sexual chemistry had been as powerful, but found she didn't actually want to know the answer. If it was yes, she would be hurt. If it was no, she wouldn't believe him. How irrational. 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Moves are listed under general categories whenever possible. A maneuver that involves a wrestler attacking with the core of the body. It is executed from an upright, running position using momentum and weight to run over the opponent. This is normally used by bigger, heavier wrestlers. A variation named after, innovated and popularized by Sting.

It involves the wrestler trapping the opponent in a corner. Then the wrestler will charge at the opponent usually from the opposite corner, launching themselves and Finger banged euro wrestling on the floor the opponent between them and the turnbuckle as grabbing a hold on the top rope.

This move, innovated Finger banged euro wrestling on the floor, popularized and subsequently named after Lou Theszsees source attacking wrestler jumping towards a standing opponent, knocking them over their back, sitting on their waist and pinning them in a body scissors.

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Also known as vertical splash body press, this variation is made by a charging wrestler usually standing read more the second or top rope against a standing opponent, landing on their chest and shoulders while remaining upright, Finger banged euro wrestling on the floor wrestler employs the momentum to bring their opponent down to the mat into a seated senton. These are attacks performed by striking the opponent's neck, shoulders or chest with the edge of a hand.

Also known as knife edge chop, is the act of a wrestler slice-chopping the chest of the opponent using an upwards backhand swing. A double variation of the aforementioned chop, the wrestler lunges forward or jumps forward in a pressing fashion while crossing arms forming a "X", hitting both sides of the opponent's neck. A downward diagonal attack to the side of the Finger banged euro wrestling on the floor neck or shoulder.

The words kesa and giri in Japanese mean "monk's sash" and "cut" respectively, and it is based on a legitimate defensive cut in traditional Japanese swordsmanship.

The act of chopping both the opponent's shoulders or sides Finger banged euro wrestling on the floor the neck in a downward swinging motion at the same time. The wrestler draws a hand back and hits the opponent vertically, usually hitting the top of the head.

This move is primarily Finger banged euro wrestling on the floor by very tall, large wrestlers such as The Great Khali and Andre the Giant. Also known as throat strike or sword stab.

Similar to a conventional wrestling uppercutthe wrestler strikes the opponent's throat upwards with the tips of all five stiffed fingers of a supine hand. Abdullah the Butcher and Sgt. Slaughter were professional wrestlers known for its use as signature move. A simple maneuver derived from the thumb chokehold having a wrestler drawing back a hand and striking the windpipe with only the thumb, sometimes while holding the opponent by the nape.

Performed by wrestlers like Ernie Ladd and Umaga.

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A move in which one wrestler runs towards another extending their arm out from the side of the body and parallel to the ground, hitting the opponent in the neck or chest, knocking them over. Popularized by Mick Foley and named after his "Cactus Jack" gimmick. An attack used by a wrestler where instead of knocking down a standing opponent, aims to squash them against the turnbuckle.

Any variant where instead of aiming at just one opponent, Finger banged euro wrestling on the floor attacking wrestler knocks down two opponents at once. Also known as a jumping clothesline or a flying clothesline, this move involves the attacking wrestler running towards an opponent, then leaping into the air before connecting with a clothesline.

This variant's use is commonly associated with The Undertaker and Roman Reigns.

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Another version sees an attacking wrestler leap up into the air and connecting with a clothesline onto an opponent leaning against the corner turnbuckle.

As the opponent runs to the ropes on one side of the ring and rebounds against them, the attacker also runs to the same ropes and rebounds ensuring to be behind them and performs the click here as the opponent turns to face them.

This snapping variation is set up by Finger banged euro wrestling on the floor short-armthen the wrestler pulls Finger banged euro wrestling on the floor opponent back and clotheslines them with the free arm.

In this attack a wrestler uses a three-point stancethen runs and clotheslines the opponent. Also known as a double sledge or polish hammer after its most noted user, Ivan Putski. It sets an attacking wrestler clutching both hands together, swinging them downwards hitting usually the opponent's back, face, or top of the head.

The many names of this move come from the attack mimicking the motion seen when people swing a sledgehammer or axe. There is also a top rope variation.

Attacks in which an attacking wrestler jumps and falls down onto an opponent on the floor, striking with a specific part of the body. The wrestler either falls forward, or jumps up and drops down, hitting a lying opponent with a kesagiri chop on the way Finger banged euro wrestling on the floor, usually landing in a kneeling position. A move in which a wrestler jumps or falls down on an opponent driving their elbow into anywhere on the opponent's body. Dwayne Johnson innovated the high impact elbow drop and called it "The People's Elbow".

Another common elbow drop is the pointed elbow drop, that sees a wrestler raise both elbows up and drop directly forward dropping one, or both elbows onto the opponent. This variation sees the wrestler raise one elbow before falling and simultaneously twisting around as falls to one continue reading, striking the opponent with the elbow anywhere on the body.

Sometimes, the wrestler will swing one leg around before the fall, gaining momentum for the corkscrew twist, first invented by "Nature Boy" Buddy Landel in Another variation of this move sees the executor use the whole arm as a lariat instead of just the elbow, a side headlock from a jumping position variant can also be executed, and twisted around into a sitout lariat. An inverted variation of this move sees the wrestler applying a front Finger banged euro wrestling on the floor before executing an elbow or a lariat to the back of the opponent's head causing them to land on the mat or into a facebreaker where the wrestler places their knee in front of the opponent whilst when executing the move.

A wrestler performs a series of theatrics before jumping or falling down, driving a fist usually to the opponent's forehead, the more theatrics the wrestler inputs on the move it is often referred to as delayed or falling fist drop. There is a snapping variation called karate fist drop that can be performed in a series, setting the wrestler besides a fallen opponent in a front stance known as Zenkutsu dachi. Then the wrestler Finger banged euro wrestling on the floor to their rear leg's knee delivering the fist at the opponent's stomach, to rise up back again.

A Finger banged euro wrestling on the floor similar to a sliding forearm smash in which a wrestler jumps down on an opponent driving their forearm into anywhere on the opponent's body. A move setting an attacking wrestler jumping or falling down on an opponent, driving his head usually at the opponent's face or midsection.

The most common variation sets the attacking wrestler standing at the fallen opponent's feet, taking them by the ankles to spread their legs. A variation sets Finger banged euro wrestling on the floor wrestler kneeling besides a fallen opponent, then performing a handstand to drive their knee to the opponent's midsection. A version that involves the wrestler placing one just click for source against the base of a bent over opponent's neck, then dropping to force the opponent down to the mat, landing on the opponent's upper body.

There is also a diving version. An elbow attack sees the wrestler using front or back elbow to connect it in any part of the opponent's body. Also known as reverse elbow, sees the wrestler giving the back with to a standing or running opponent, and then striking with the back of the elbow to the opponent's face, neck or chest.

The wrestler strikes a back elbow to a cornered opponent, lying facing inwards or outwards the ring against the corner. This is usually struck from a running wrestler. The wrestler faces away from the opponent, spins around to face away from the opponent and strikes the opponent's face with a back elbow. This move is a strike that is brought from a high position Finger banged euro wrestling on the floor travels vertically toward the floor, dropping the point of the elbow directly on the target.

Often this will set an attacking wrestler bending an opponent over to deliver the elbow at the back of the opponent. The wrestler approaches to a cornered opponent, climbs the second or top rope beside the opponent with a leg on each side. The wrestler then jumps down off the ropes, delivering a bionic elbow to the opponent's head, neck if the opponent's neck is bent-down or sideways or the shoulder.

The wrestler makes a punching motion, but tucks their hand towards the chest so the elbow and forearm make contact. A high impact version is used by Wade Barrett as his finishing move, The Bull hammer. This variation is set up by a wrestler performing an Irish whip but keeping the opponent's wrist heldthen the wrestler pulls the opponent back and hits using the other arm's elbow.

Once the maneuver is finished, the attacking wrestler can execute either a running kickkneedrop or many other strikes that first sees them running towards or rebounding off the opposing ropes and charging at the fallen opponent. Visit web page variation that sees the attacking wrestler placing their shin or instep over the opponent's face, and either pushing the opponent's head or their own leg down, raking the opponent's eyes across the laces of their boot.

With the opponent lying back on the mat, this web page wrestler stands at the opponent's top of the head and leaps to rake both points of the boots over the opponent's face, while falling back on their feet.

Medina sexy Watch Black gf porn girlfriend amateur Video Xxxt Video. A popular move in Lucha libre , often associated to Rayo de Jalisco Jr. There's another variation where after bouncing, the attacker jumps arching the back, plunging the top of the head into the opponent's chest. An attack where a wrestler will strike an opponent using the knee. The idea of using knees as offensive weapon is popular throughout British wrestling. An attack where a charging wrestler jumps striking both knees simultaneously into the head, chest or back of the opponent. Sometimes abbreviated to GTS , this move sees a wrestler place an opponent in a fireman's carry to drop the opponent in front of them. While the opponent is falling, the wrestler quickly lifts the left knee up, towards the opponent's face. Kenta , the creator of the original maneuver, also uses an inverted variation in which he lifts his opponent into an Argentine backbreaker rack , throwing the opponent forward, and striking his knee in the back of the opponent's head. An attack in which a wrestler will charge towards the opponent, then jumps up and raises a knee to hit the opponent usually into the side of the head. This variation, more akin to a running single leg dropkick , sees the attacking wrestler running and leaping towards the opponent while throwing one knee forwards to strike the opponent's face. An attack in which a wrestler brings the knee up to hit the opponent under the chin as if performing an uppercut. This can either be performed in mid clinch or with the attacking wrestler charging at a kneeling or bent over opponent, lifting the knee upwards to strike underneath the jaw or the side of the head. A strike created by The Great Muta delivered to an opponent down on one knee. After stepping off the opponent's raised knee with one foot, the wrestler swings the other leg and strikes the opponent's head with either the side of the knee or shin. A slight variation known as shining apprentice sees the wrestler use a running enzuigiri to the kneeling opponent's head without the use of the opponent's knee for leverage. Many other "shining" attacks exist, including big boots and dropkicks. The shining wizard can be applied to a standing opponent as well; this would be likely applied by stepping off the opponent's chest and then delivering a knee smash to the opponent's face. AJ Lee uses this move. A kick in wrestling is an attack using any part of the foot or lower leg to strike the opponent's body or head. Involves the attacker originally facing his opponent. Also known as reverse side kick or heel kick. This kick starts with a standing wrestler jumping to either side, connecting the side of their lead leg's calf- heel cord area to the opponent's face or chest. A variation has the attacking wrestler standing on the top turnbuckle or springboarding from the top rope to get the required height to execute it. A short-arm variation is also possible. This attack is performed after an opponent catches the leg of a wrestler who has attempted a kick of some sort performing a maneuver known in wrestling as "Leg-feed" , then while the opponent throws the leg out away from himself, the wrestler continues spinning all the way out with his leg still extended to connect the kick. Properly named Ajisegiri and also known as rolling koppu kick or rolling liger kick, it sets the wrestler rolling towards a standing opponent, extending a leg which connects with the back, chest, or head of the opponent. Also known as jumping axe kick, this is a standing version of a leg drop performed on a bent over opponent usually in the middle of the ring. Popularized by Booker T. Often referred to as side kick or crescent kick, it sees the wrestler delivering a kick with the lead foot to the opponent's face, chin, neck or breastbone , usually preceded by a sidestep. The Young Bucks also use the move. Carmella uses this as her finisher calling it princess kick and so do the Usos. A thrust where the wrestler turns the torso away lifting one leg horizontally and extending it torwards the opponent, striking in the torso with the sole of their foot. A spin kick variation sees the wrestler spin around and then performing the kick with the outer leg, which is known as rolling sole butt in Japan. There is also jumping variation where the wrestler jumps straight up, spins in the air, and then delivers the sole butt with the outer leg targeting the head of the opponent. Otherwise known as Yakuza kick. This attack is usually done with the opponent charging towards the wrestler, using the opponent's momentum to deliver the wrestler's sole to the upper-body or head. There is also an arched variation of this move. Big Cass uses this move. Sami Zayn uses this move calling it the Helluva kick. Billie Kay also uses this move calling it the Shades of Kay. An attacking wrestler jumps up and kicks forward with one foot after the other in a pedalling motion, with the foot that gets lifted second being extended fully to catch a charging opponent directly in the face. Another variation sees the attacking wrestler charge at a standing opponent before delivering the attack. Similar in effect to the big boot. This move is used by Sheamus as a finisher, the Brogue Kick. An attack where the wrestler jumps up and kicks the opponent with the soles of both feet, this usually sees the wrestler twist as they jump so that when the feet connect with the opponent one foot is raised higher that the other depending on which way they twist and the wrestlers fall back to the mat on their side or front. The wrestler drops to one knee and extends the other leg to knock away the opponent's legs, then quickly pivots their body around. While facing away from a charging opponent, the wrestler bends down and pushes out one foot, striking the opponent with the bottom of it. If acrobatically inclined, the wrestler can then roll forward, back into a standing position. Sometimes done in a corner, the wrestler takes hold on the top rope and kicks backwards with both legs to the opponent, hitting with both soles. This kick is often confused with the Superkick but it can be differentiated for it is performed from an upright stance with the rear foot, instead of the lead foot. Rusev calls it Machka Kick. This kick, used by almost all wrestlers, is appealed just for show or as a setup for a hold or throw. The most common way to perform this attack sees the wrestler striking the opponent upwards in the midsection or stomach to bend the opponent over. Another variation sees the wrestler holding back their own foot with one hand, taking it up their side or lower back and releasing it, striking a bent over opponent in the back of the head. This maneuver can be differentiated from any other kick noting that it is always performed striking with the point of the foot-instep-shin area. The attacker then hits the opponent in the head with one or both legs, with the wrestler usually landing on hands and feet facing downward. There are many variations of this maneuver since it can be performed from a backroll, a corckscrew, a handspring or a handstand. The wrestler performs a cartwheel towards the opponent, hitting them in the head with the rear leg's shin as it comes up in the air. Popularized by Ernest "The Cat" Miller. The wrestler first performs a crane stance , by standing on one leg, with the other knee raised and arms extended in a crane position. The wrestler then strikes the opponent's head or face with either the standing or raised leg. The term Enzui is the Japanese word for medulla oblongata and giri means "to chop". Thus, an enzuigiri often misspelled 'ensuigiri' or 'enzuiguri' is any attack that strikes the back of the head. It is usually associated with lighter weight class wrestlers, as well as wrestlers who have a martial arts background or gimmick. It is often used as a counter-move after a kick is blocked and the leg caught, or the initial kick is a feint to set up the real attack. A common variation of the enzuigiri sees the wrestler stepping up the opponent's midsection, and hitting the back of the opponent's head with the other foot. Sonya Deville uses this move. In this version, the wrestler either starts by lying down or dropping down on the mat while the opponent stands near to their head. The wrestler then throws a leg and kicks up over their waist and chest, hitting the opponent with the point of the foot, usually in the head. It can be used as a counter to an attack from behind. For example, an opponent attempts a full nelson , the wrestler breaks the opponent's lock by raising both arms, falling to the canvas back-first and kicking the opponent in the head with one foot. A kickboxing-style kick with the shin generally protected by a shin guard striking an opponent's face, chest or thighs. This move is used in shoot-style environments and by many Japanese wrestlers. Kicks while the crowd would respond with a chant of "Yes! Sometimes also referred to as soccer kick. The wrestler strikes an opponent sitting on the mat with the foot extended downwards vertically from the base of the spine to the back's midsection. Used by Katsuyori Shibata as the P. Based on the field goal kick but named for the punt kick used in American football , sees the wrestler taking a run up to a kneeling opponent and strike them in the head with the point of the foot. It is similar to the soccer kick in MMA. WWE wrestler Randy Orton performed this move as his finisher maneuver to cause storyline concussions. Properly speaking, a roundhouse kick in wrestling is a variation of a shoot kick with a slight difference. A move in which a wrestler jumps through the second and top rope while holding on to the ropes, using the momentum to swing back around into the ring. Originally performed as a fake dive to make opponents and fans think that the wrestler was about to dive through the ropes to opponents outside of the ring, later modified to become a kick to the head of an opponent who is hung on the second rope. This move requires high agility and is mainly used by smaller wrestlers in Japan and Mexico. Popularized internationally by Rey Mysterio , who called the move after the area code for Mysterio's hometown. Typically, a lariat is used as a finishing move while the clothesline is simply a basic strike attack. The main difference aside from the mechanics of the movement is the stiffness , a lariat is essentially a very stiff, swinging clothesline. Hulk Hogan is often referred as its innovator. The attacking wrestler first uses the ropes to build up speed. The wrestler runs towards his opponent, wraps an arm around the opponent's upper chest and neck, and swings both legs forward, using this momentum to pull the opponent down with him to the mat back-first. Popularized by "Macho Man" Randy Savage. Also called enzui lariat, it sets the attacking wrestler charging against the opponent's back, driving them to the mat face first. This can also be used in combination with a hammerlock as in the case of Ariya Daivari. This maneuver is performed when the wrestler doesn't run but simply strikes the opponent while standing next to them or waiting for a charging opponent. Popularized by Stan Hansen. Kenta Kobashi uses this variation as one of his many finishing moves called Burning lariat. This move sees the wrestler delivering an open-handed strike with arm movement akin to a cross , usually to the opponent's chin, face or chest. Several of these attacks can also be performed with the opponent in a side headlock. Sometimes referred to as a frying pan or an open-hand chop. Despite of the name, it refers to a slap properly and not a chop. The wrestler strikes downwards the chest, nape or back of an opponent, using the open palm of the hand. Also called blazing chop, this variation sees a standing wrestler striking the chest of a charging opponent with both palms sideways, shoving them down to the mat back first. The wrestler delivers an overpowering open-hand slap crossing the opponent's face, ears, or nape. This simple strike is more often performed by female wrestlers or villains. A variation associated to Dusty Rhodes and his family involves a charging wrestler attacking with a slap as if performing a clothesline. Also known as a bell clap, the wrestler slaps both ears of an opponent simultaneously with the palms of both hands, disorienting their balance. Properly speaking, an uppercut is a punch used in boxing that usually aims at the opponent's chin. It is, along with the hook and the overhand, one of the main punches that count in statistics as a "Power punch", while in wrestling, any close-fisted punch is considered an illegal attack. Therefore, it is an upward variant of a palm strike in execution. Usually seen performed by tall, heavy wrestlers like Kane and Goldust. Nevertheless, a close-fisted uppercut has been seen in wrestling from time to time usually meant as a "cheap shot". Extensively used by "Rowdy" Roddy Piper in that same matter. An illegal attack using a simple close-fisted punch normally to the stomach, lower back or head of the opponent. Instead, the referee simply admonishes the wrestler to stop, usually to no effect. Punches are often used by both villains and heroes alike. However, when villains perform the strike while either the opponent is not expecting it, or when the referee is in some way distracted, it seems more devastating. Several boxing punches can be found in wrestling, such as jabs , straights , hooks and overhands. Often aimed at a kneeling opponent or one sat on the top turnbuckle. In this variation of a simple close-fisted punch, the wrestler strikes the opponent with the back of the fist in the head or chest, often repeatedly. The wrestler holds an arm out horizontally and executes a back fist whilst turning the body swiftly, hitting the opponent on rotation. Also named spinning punch or tornado punch. As the opponent falls to the mat face-first, the attacker hits the opponent with a liver shot. Popularized by Ludvig Borga. The move is alleged to rely on "Oriental pressure points" to strike a nerve causing the opponent's heart to momentarily stop, rendering them unconscious. This attack involves a wrestler standing on the middle or top ropes and delivering repeated crosses to the face while the opponent is backed up against the turnbuckles. A variation sees the wrestler striking a fallen opponent either mounting in front of them or kneeling besides and having the opponent in a side headlock. The crowd tends to count the punches, which typically end at ten, provided they're not interrupted by the opponent pushing the wrestler off or by the referee admonishing the attacking wrestler. This attack sees a wrestler leap into the air, snapping the rear leg back before striking with a swinging overhand to the opponent's head. Popularized by Roman Reigns. A theatrical variation in which the wrestler rotates the attacking arm in a "winding-up" motion before striking the opponent, making the punch appear more effective in the same way of a bolo punch in boxing. In the same sense of a press or a splash the wrestler jumps over an opponent, but in this case the attacker falls lower-back first or into a sitting position. Either on purpose as for comedic effect or accidentally. Having a fallen opponent lying next to the apron, the attacking wrestler grabs either the opponent's head, torso or leg and places it on the bottom rope. This move sees the opponent's chest resting on the second rope, facing out of the ring. Having an opponent seated in the corner of the ring, the attacking wrestler jumps in the corner, straddling on the opponent's midsection, bouncing up and down. Similar to a bronco buster, the attacking wrestler jumps onto a standing opponent in the corner, straddling and sitting on the opponent's chest, while resting feet on the second rope. The attacking wrestler then follows with mounted punches. Also named rear view or butt thump, is usually performed with a running start, then the attacking wrestler jumps into the air, spinning around, and thrusting the pelvis backwards, thus hitting the opponent's face or chest with hip or buttocks. Another variation called reverse body avalanche sees large, heavy wrestlers giving the back to a cornered opponent as they take hold on the top rope, thrusting the pelvis repeatedly against the opponent's midsection as if performing turnbuckle thrusts. Also known as vertical splash or butt drop, is the most common form to perform this maneuver. A wrestler jumps down to a sitting position across the chest or stomach of a fallen opponent. This particular move is usually executed one of two ways. One is to see the wrestler stand over the opponent and drop to either a seated position like Rikishi or a kneeling position like Bastion Booger 's Trip to the Batcave. The other is performed with the opponent lying near one of the turnbuckles, with the wrestler climbing to the middle rope and bouncing on it before performing the senton Yokozuna 's Banzai Drop. A variation of the seated senton was performed by Earthquake , whose Earthquake Splash would see him run off the ropes to gain momentum for the senton and then jump onto the opponent while running. It is also an obvious and often-used counter to the sunset flip. A somersault senton performed to an opponent sitting in a corner to be sandwiched between the turnbuckle and the wrestler's lower back. This move sees a wrestler sits while rubbing the buttocks in the face of an opponent lying in the corner of the ring, [10] humiliating the opponent. Popularized by Rikishi. A maneuver that sees a standing wrestler strike usually ramming with a shoulder, by keeping an arm down by the side into a charging opponent's chest or abdomen. However, often this will see a larger wrestler displaying superior size and strength by challenging an opponent to attack, standing still slightly to one side and having the opponent charging towards trying to execute a strike, only to get knocked down often several times and see any attempt of the hapless opponent having no effect. A slight variation called body block, sees an opponent run at the large wrestler who would simply engulf the charging opponent by swinging their arms round and forcing the opponent to impact the wrestler's entire body. This variation, based on the illegal American football block, sees the wrestler performing this attack coming from behind an opponent and droping down to connect with their shoulder into the back of one of the opponent's knees. This is often used to weaken the leg for submission holds, as noted by Ric Flair 's extensive use of the move as a set-up for his Figure Four Leglock. The attacking wrestler runs the ropes to gain momentum before leaping at the opponent with a high shoulder block. This variation is usually preceded by an Irish Whip to an adjacent side of the ring, or to cut-off an opponent already running the ropes, further increasing the moves impact. It was popularized by Monty Brown and named for his Alpha Male gimmick. The move is also used by Mojo Rawley. A variation where the wrestler grasps one of the opponent's wrists firmly with both hands and pulls the opponent's arm towards them. From this point on, the attack can be executed one of two ways. In one the wrestler rams their shoulder repeatedly against the opponent's own to incapacitate or hurt the arm, setting it up for a submission or as a mean of punishment. Popularized by Diamond Dallas Page and Batista. In the other, the wrestler strikes lunging their shoulder against the opponent's chest or chin, then releasing the hold to leave the opponent fall to the mat. This maneuver was performed extensively by Beth Phoenix. This sets an attacking wrestler charging towards a standing opponent, bringing the body parallel to the ground and driving one shoulder into the opponent's midsection, pulling on their legs, as in a double leg takedown , and forcing them back-first into the mat. This simple, but powerful-looking move has been used by many famous wrestlers as a finisher, notably including Goldberg , Edge , Bobby Lashley , Roman Reigns , Batista , and Charlotte Flair. In this variation, the wrestler does not pull on the opponent's legs in a double leg takedown, relying only on the strike's momentum to force the opponent down. Rhyno uses this variation as his finisher, The Gore. This variation of spear is laying the opponent down with a spear and punch him with Thesz press punches. This move is performed to an opponent set up resting back first against the turnbuckle. A variation sees smaller wrestlers using the top of their heads instead of the shoulder or running from the center of the ring. A Splash is an attack very similar to a body press in function but not in execution, the difference lies in that it is executed from a falling position, most of the times the attack is performed horizontally, and most variations can seamlessly transition into a pin. This maneuver involves a wrestler jumping forward and landing stomach-first across an opponent lying on the ground below. On some occasions a wrestler has a short running start before executing the move. The attacking wrestler performs a cartwheel before landing stomach-first across an opponent lying on the mat. Usually perfomered by small, nimble wrestlers men or women. Also known as crossbody block, it sets a wrestler jumping onto his opponent and landing horizontally across the opponent's torso, forcing the opponent to the mat and usually resulting in a pinfall attempt. There is also an aerial variation, known as a diving crossbody , where wrestler leaps from an elevated position towards the opponent. This attack is known as a Plancha in Lucha libre. This move is better described as a counter for a tilt-a-whirl backbreaker , or for a tilt-a-whirl mat slam. Also known as foot stomp, this attack sees a wrestler stamping a foot on any part of a fallen opponent. One variation performed by large, heavy wrestlers implies simply to step on the opponent's stomach as they walk, often referred to as a big walk. This variation, when performed by a villain , aims to the head of the opponent but in a crudest, vicious way. Seth Rollins ' version of the move is a running stomp to the back of the head of a bent-over opponent, forcing the opponent face-first into the ground. It was eventually banned from use by WWE in , before Rollins would return to using this move as a finisher in early Impact Wrestling wrestler Laurel Van Ness also uses this move as a finishing move. When a wrestler jumps and stamps both feet on any part of an opponent. Also known as double stomp. This can be performed from an elevated position as a diving double foot stomp. Large, heavy wrestlers often perform this move by simply standing over a defenseless opponent next to the apron both feet and grabbing a hold on the top rope, squashing the fallen body. A wrestler performs a series of stomps all over the body of a fallen opponent in the order of left arm, left chest, left stomach, left upper leg, left lower leg, right lower leg, right upper leg, right stomach, right chest, right arm, and finally the jaw. Some moves are meant neither to pin an opponent, nor weaken them or force them to submit, but are intended to set up the opponent for another attack. This is a move in which a wrestler will spin in place before hitting an attack, like the discus clothesline , discus punch , or the discus forearm. The move is usually used instead of charging towards an opponent to build up momentum for an attack, often the discus spin is used to evade incoming attacks. The wrestler runs towards the ropes and performs a handstand right next to them, using his momentum to throw his legs against the ropes, using the spring to throw himself backwards back onto his feet, and using the momentum still to leap backwards, usually to deliver an attack. Eporner is the largest hd porn source. Fat man and girl first time. Johnny reversed the shotgun. Do you want me to use this here stock to smash your pretty little face in? He was breathing hard, his pupils wavering. 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In the same sense, and as performed by Here Guererothis move sees a wrestler putting one foot over the face of an opponent lying on the mat. In the same sense of an elbow or a kneethe attacking wrestler strikes the opponent using one or both forearms. A forearm thrown in an uppercutting fashion, often the wrestler does a quick grapple first to bring the spare arm up inside, hitting the article source under the chin.

The wrestler clenches both fists and rises both arms, striking the sides of a cornered opponent's head in a stabbing motion one forearm at the time. This will often send the opponent to the mat front-first. A variation that sees the attacking wrestler take hold of an opponent and lean them backwards to expose the chest, allowing the attacking wrestler to club the Finger banged euro wrestling on the floor and send them to the mat back-first.

An attacking Finger banged euro wrestling on the floor charges at the opponent and then hits the opponent in the chest or face upwards with a forearm to force them back and down to the mat. While running towards an opponent usually after bouncing off the ropesan attacking wrestler would leap up into the air, before connecting the forearm smash.

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While running towards an opponent usually after bouncing off the ropesthe attacking wrestler extends the forearm click here and does a slide across the mat before connecting. A lesser used version that sees the wrestler standing over a crawling opponent on all fours, delivering the forearm inwards and sideways onto the opponent's temple repeatedly in a swinging motion. This move is named after the way some police officers used to submit a suspect by torture or in cases involving forced confession.

Kurt Angle used to perform this maneuver as a mean to set an opponent Finger banged euro wrestling on the floor for a submission hold. Many wrestlers deliver a headbutt to an opponent's head by holding the opponent's head and delivering the headbutt to their Finger banged euro wrestling on the floor intervening hand instead, relying on it to cushion the blow.

The wrestler stands facing an upright opponent, lowers the head and then jumps or charges forwards, driving the top of the head into the abdomen of the opponent.

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There is also a double-team version of the move. The attacking wrestler performs an Irish whip to the opponent and runs to bounce against the ropes front or side first at the other side of the ring, then jumps and turns mid-air to deliver a headbutt against the opponent's head. A popular move in Lucha libreoften associated to Rayo de Jalisco Jr.

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There's another variation where after bouncing, the attacker jumps arching the back, plunging the top of the head into the opponent's chest. An attack where a wrestler will strike an opponent using the knee.

Finger banged euro wrestling on the floor

The idea of using knees as offensive weapon is popular throughout British wrestling. An attack where a charging wrestler jumps striking both knees simultaneously into the head, chest or back of the opponent. Sometimes abbreviated to GTSthis move sees a wrestler place an opponent in a fireman's carry to drop the opponent in front of them.

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While the opponent is falling, the wrestler quickly lifts the left knee up, towards the opponent's face. Finger banged euro dyke enjoys wrestling.

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Finger Finger banged euro wrestling on the floor euro wrestling on the floor. Uploaded Dec 6th AM. Views Favorited 0. BBCODE. Tags.

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